Determining the difference between adjacent speeds (Eg 1/125-1/250) is possible with enough experience, by ear. Most focal plane shutters are going to be moving at the same velocity across the gate at the faster speeds but they will produce a different sound when the exposure ends. It's because the interval between the first and second curtain capping varies with whatever slit width is used for the speed in question. Admittedly, with some SLRs the noise of a reflex mirror descending may make it harder to work out the exact moment of the second curtain capping. A tip here, if your SLR actually has a mirror lock up feature, is to use it, because it makes it that much easier for your ear to work out what the shutter is doing, by removing the mirror and its actuating mechanism from the equation.
Using a CRT television it's possible to get a decent idea of how accurate a focal plane shutter is, although the more practice you've had using one, the better you will be able to understand and interpret the results. For instance, it enables you to work out which curtain is moving fastest at different parts of the gate, based on the relative angles of the edges of the slit. No, it is nowhere near as accurate as a proper testing unit, and nobody (including myself) would suggest otherwise. But having used the method to set up a number of shutters made by different makers, I do know, from my own experience and results, that it can get a serviceable camera working to within tolerances that will give you well exposed negatives, (or even positives, for that matter) so, it can certainly be
accurate enough. And actually, whereas some of the least sophisticated testers may give you much more accurate overall exposure measurement, they may be
less useful than a CRT for gauging exposure variance across the gate, something you can actually see with a TV/monitor screen. Non-CRT monitors are unreliable for the above in my experience, I keep a CRT on hand for shutter evaluation.
It's also worth mentioning that checking a shutter for proper operation may or may not entail checking every speed range, anyway. Depending on the design, the maker may specify that once certain speeds have been correctly set, other speeds will be within tolerance. A Synchro Compur type is a case in point. The escapement is first positioned to achieve an accurate one second time, followed by the 1/15 speed, and, when these have been set, the other speeds will then be OK (this, sourced from the relevant pages of F Deckel's repair manual for the shutter). Even setting one up by ear is not really that hard, with enough experience. Why? Because, if the escapement is not located correctly, one second will usually be too short. And 1/15 will be about the same as, or shorter than, 1/30, if the escapement is not set in the best position for that speed. There's only a fairly small zone of acceptable placement for the escapement where
both speeds will look and sound right. If you have half a clue about detecting the different times it should be obvious, because, if it is out, it will usually be
really out. 1/250 and 1/500 are too close together to be able to detect visually by all but the most experienced eye (I can sometimes see a difference, sometimes not, depending on a few things) and, even then, you usually need the lens stopped right down and pointed into a very bright light source as the smaller aperture helps the eye spot a difference. But the change in pitch of the mechanism from the additional speed of 1/500 is
definitely audibly different to 1/250, it is a slightly higher pitch, which is a result of the escapement being totally disengaged at the maximum speed (at 1/500 the shutter is running as flat out as the main spring will let it, without any inertia braking).
With all that said, a decent tester makes it possible to achieve not just more accurate results, but to do it faster and more consistently. Which is why I'll probably be purchasing
one of these units later this year. It's going to save a lot of time, quite apart from the other benefits. And because it is also able to measure curtain velocity of each focal plane shutter curtain, not just the amount of exposure, I think it will assist in the adjustment of the appropriate curtain(s) first time around and save a lot of time. As some manufacturers are helpful enough to specify an actual velocity target for the curtains of some of their designs, being able to easily measure this, should, again, substantially shorten the amount of fine tuning needed to get such shutters bang on, in the minimum amount of time.
Cheers,
Brett