MIkhail
Well-known
Peter,
This is an interesting POV. I pretty much in art school decades ago learned just the opposite, where I was trained to make negatives that could be consistently optimized and printed on a grade number two paper "straight printed."
In a way I continue this tradition from film to digital.
Digital offers a new creative freedom for sure.
Cal
On subject of manipulation.
You may find interesting the Latvian photographer Egons Spuris.
http://www.egonsspuris.com/various
So this image, for example
It is comprised of 3 images, actually.
Printed on the same paper.
I think it's in Eastman Kodak Museum now, so belong to history already 🙂
BTW, one of the images there is of the late guy (much younger at time) who I consider my teacher - Alexander Slyusarev
https://en.wikipedia.org/wiki/Alexander_Sliussarev
I had a privilege of many communications/discussions with him over last few years and that formed my tastes in photography that I have now.