wilt
Well-known
bmattock said:I think that perhaps if a film factory were designed today, with modern concepts and the idea of being able to scale up or down easily, it would be a different story. But most if not all of these factories were built with early 20th century notions of maximum output for maximum efficiency - later improvements and upgrades merely made them produce more, faster, and with more precision. They just were not built to scale down.
Notice what I wrote about the possibility (however remote that may seem to us in this twilight era of silver-based photography) of innovation and entrepreneurship in silver-based photography. The nimble manufacturing style you propose might very well appear: mass-production methods for mass-market photographic supplies; small-scale production for niche-market photographic supplies.
There are some entrepreneurs active in the silver-halide sector, some new products actually reach market and old ones reintroduced.
The same year that saw Kodak withdraw from the IR film business, saw Efke/Fotokemika market their IR 820 film, available in 35 mm, 120, 127 (sic!), 4x5, 5x7, 8x10. Fuji Velvia 50 has recently been reintroduced.
Basically, my whole point of view is that we can not know for sure about the future of technologies and that people often seem to err so that they over-emphasise the complete disappearance of old technologies; in reality, we are surrounded by technologigal palimpsests.