myoptic3
Well-known
This will be an expensive switch when you factor in lenses, hoods, filters, etc. Have you thought of simply using an N80 (since you are going to be using a film camera anyway)? That way you could use your Nikon glass, and w/o the digital crop factor end up w/ wider lenses. It would be hard to find a quieter SLR, and they can be picked up for $75 to $100. Coupled w/ a 50 1.8 and the excellent 85 1.8 you would have a nice kit on the cheap. They are very small and light, as well as quiet.
The RF cameras are smaller and thinner though, so there is that aspect. If you are going to be shooting w/ a fast 90 lens it is a moot point though, as this setup is not that much smaller than the N80 and could be even heavier, depending on what camera/lens combo you go to.
The other aspect is what sort of image signature do you prefer. The older RF glass has a different look than modern lenses can produce. Not necessarily better or worse, but different.
One of my favorite street shooters was a Contax G1, but these are an acquired taste for some people due to their quirks. They are dirt cheap and have very nice lenses.
If you are comfortable w/ a wide lens, get a Konica Hexar AF. There is no quieter street shooter.
The RF cameras are smaller and thinner though, so there is that aspect. If you are going to be shooting w/ a fast 90 lens it is a moot point though, as this setup is not that much smaller than the N80 and could be even heavier, depending on what camera/lens combo you go to.
The other aspect is what sort of image signature do you prefer. The older RF glass has a different look than modern lenses can produce. Not necessarily better or worse, but different.
One of my favorite street shooters was a Contax G1, but these are an acquired taste for some people due to their quirks. They are dirt cheap and have very nice lenses.
If you are comfortable w/ a wide lens, get a Konica Hexar AF. There is no quieter street shooter.