KM-25 said:
He did it all with a single M6 and 35mm. That is the essence of the Leica, simple and to the point.....let your vision do the rest.
'Essence' of the Leica?
Why do they make other lenses then?
Some people NEED other lenses to illustrate things. Interiors with a 35 or maybe a 50? No thanks. I'll go for a 21, 18, 15 or 12 (or a Tri-Elmar 16-18-21). Not all, but at least one. A picture of HH Dalai Lama on the roof of the temple at Losar with a 35 or 50? No thanks: much rather have a 90 or 135.
For that matter, at the request of the Tibetan Government in Exile, Frances and I shot half a dozen portraits for the equivalent of the National Portrait Gallery of Tibet in Exile. I was glad we had the 90/2 Summicron with ua...
For a technically undemanding series of snapshots with minimal time pressure -- and that's all the 'America' series is, from a technical point of view, regardless of your opinion of the photographer's eye (which in his case I do not mean to denigrate) -- then sure, I'd be happy enough with my 35/1.4 or my 50/1.5 Sonnar.
And while I'd be happy pootling along with one camera for amusement's sake, cameras can and do break down: I've had it happen to me, even with Leicas. That's quite apart from being to finish the film in one body, and grab the other body. In the middle of a demonstration, that can be quite an advantage.
I don't have a big backup team to rush me a new camera -- and even if I did, I'd be a bloody fool to be hundreds of miles from the neareast Leica dealer without a camera, when a spare body takes up so little room and costs so much less than sorting out a potential problem any other way. Talk about cheap insurance!
I have nothing against anyone who is so ultra-purist that they use only one camera and one lens. But I lost track many years ago of the number of pics I've had published, so I'd suggest that there may be other ways to do things.
Cheers,
R.