Magnus said:
jiw .... blablabla,
it's the quality of the image at different formats which in the long run might be important to all sort of camera users or is there anything in the bible that contradicts that ?
I have this sense that we've had this discussion before! What I was satirizing with my Bible crack was the "religious" belief that some people seem to have that a "full frame" (full of what?) must be 24 x 36mm and no smaller.
This was never true even in the film era (to a cinematographer, a "full frame" might be the standard "Academy" format of 18.05 x 24mm... to a reproduction camera operator, it might be the standard double-broadsheet size of 30 x 22-3/4 inches.) And in the digital era it's simply a historical curiosity that some photographers prefer an imager the same size as those of the "35mm" cameras they used to use.
Canon, which has the technology to produce its own sensors rather than having to purchase an OEM sensor as do most other camera makers, is happy to cash in on this prejudice by producing cameras with a 35mm-film-size sensor and then charging extra money for them, even if smaller-sensor cameras with similar pixel counts produce similar image quality.
Of course, some photographers do insist that they can see ineffable virtues in pictures made with sensors that possess this mystical historical attribute of "fullness," just as some photographers insist that they can see an aura of superiority in pictures made with a particular brand of lens. But as I said, I want to avoid getting into a discussion of religious dogma!
As for the "rangefinder" I can see that with film, digital photography however is a totally different issue...
I don't see how the issues of viewing the scene, selecting and interacting with the subject, and focusing the lens are any different when forming the image on a digital sensor than when forming it on a silver-halide sensor.
In fact, seeing and responding to the world in front of the camera is what makes the difference between successful and unsuccessful photography --
not what kind of sensor happens to be behind the lens. If you're more successful and more comfortable making photographs with a film rangefinder camera than a film SLR, you're likely to be similarly more comfortable using a digital rangefinder camera than a digital SLR.
If there isn't something special about using a rangefinder camera, then why do so many people visit RFF?