Are you talking about hand tanks, or JOBO? I have never used the latter, and have several all steel tanks of the former in one reel, two, or four 35mm (or 1 or 2 120). With four stainless steel reels (The kind with teeth, not springs, the BEST kind) Ideally, I'd like to have another four reels and a tank to hold them. Which would make it very easy to do anything from one to eight rolls, or more! It works well with the way I shoot (not enough lately) because I rarely shoot less than 2 rolls at a time (2 reel tank), and usually around 4-6 (2 reel+4 reel). Sometimes I've shot as many as 12 (3x4 reel) and once I shot 28. For that I alternated two 4 reel tanks, one while the film from the other was in the washer, and it still took all day. Most tanks take about 8 ounces of chemical/reel, making mine 8+, 16+, and 32+ ounces when full.
I've used 8 reel tanks before, but that gets unwieldy, and tiring. They are also prone to losing lids, or chemistry, if not used carefully. Which brings up a particular quirk of all steel tanks, make sure both lids (tank lid, and chemistry cap) fit well, with no dents or out of roundness. Otherwise you will lose chemistry, and it will get all over everything but your film. The easiest fix is to get a steel tank with a plastic lid, like most new tanks. They fit better, and won't get bent or leak at higher chemistry temps. The only caution with plastic lids is that they can crack, usually along the line of the tank wall, and the caps have the annoying tendency to snap off the little tab that makes taking them off easier.
That was probably more than you wanted to know, but I hope it helps!
Edit: A note about SS reels. People seem to hate them, or love them with no in-betweens. I have four (patterson?) with the little teeth that engage the film sprockets and are a joy to use. I also have a pile of several decade old ones that used springs to hold the film, and are less enjoyable. With practice, and a good layout in the darkroom, you can load the toothed reels very very quickly if you need to. The trick is to make sure you get the film started straight. The way I learned in basic photography was to practice with some outdated film, in the light, until I got used to how it worked. Then you practice some more (still in the light) with your eyes closed, or your hands under the table until you get used to how it feels when you do it right. And then once you can get a whole roll on without kinks or grabs, you move to the darkroom, and real film.