Messsucherkamera
Established
At present, I am shooting an average of about five rolls of 135-36 Tri -X per week.
I am 100% film based so all my efforts go into film. I have found that if you want to shoot a lot, having two or three ongoing photo projects keeps you busy and keeps your film advance lever active.
Five rolls per week may sound like a lot but it's not. When I go out to work on my street photography, it doesn't take much to shoot 1-2 rolls on the street in half an hour to an hour. If you have your camera with you at all times - which you do, if you are serious about your photography - you will pop off 5-10 frames on a daily basis that you wouldn't expect to. You will have new images that you would have not gotten othrewise. Five frames here, ten frames there - it all adds up.
Some will ask "What's the point in shooting all that film? Why spend all that money? Why 'waste' your time and money like that?" These people just don't get it. They are oblivious to the fact that the only way you will improve and your photographic eye will mature, grow and evolve is by shooting a huge volume of images.
Actually, that's only half of the growth equation. You must also study your negatives and contact sheets and learn from them. Learn from your mistakes, understand what you could have done to make an "almost" image a keeper - and print your best images.
I have heard of "name brand" photographers who have 250,000 images on file with a stock agency. Keep in mind that these are only their best images. They have thrown away anywhere from ten to twenty (or more) 'almost' and flawed images for every one of those 250,000 good images they have up for sale.
These people got to be "name brand" photographers by shooting a huge volume of images. There is no other way. There are no shortcuts.
The good news is that photography is like anything else in life: You will get out of it rewards equal to the blood, sweat and tears you invest into it.
I am 100% film based so all my efforts go into film. I have found that if you want to shoot a lot, having two or three ongoing photo projects keeps you busy and keeps your film advance lever active.
Five rolls per week may sound like a lot but it's not. When I go out to work on my street photography, it doesn't take much to shoot 1-2 rolls on the street in half an hour to an hour. If you have your camera with you at all times - which you do, if you are serious about your photography - you will pop off 5-10 frames on a daily basis that you wouldn't expect to. You will have new images that you would have not gotten othrewise. Five frames here, ten frames there - it all adds up.
Some will ask "What's the point in shooting all that film? Why spend all that money? Why 'waste' your time and money like that?" These people just don't get it. They are oblivious to the fact that the only way you will improve and your photographic eye will mature, grow and evolve is by shooting a huge volume of images.
Actually, that's only half of the growth equation. You must also study your negatives and contact sheets and learn from them. Learn from your mistakes, understand what you could have done to make an "almost" image a keeper - and print your best images.
I have heard of "name brand" photographers who have 250,000 images on file with a stock agency. Keep in mind that these are only their best images. They have thrown away anywhere from ten to twenty (or more) 'almost' and flawed images for every one of those 250,000 good images they have up for sale.
These people got to be "name brand" photographers by shooting a huge volume of images. There is no other way. There are no shortcuts.
The good news is that photography is like anything else in life: You will get out of it rewards equal to the blood, sweat and tears you invest into it.