I am suffering from a BLOCK !

mhazzaa

Mahmoud
Local time
7:17 PM
Joined
May 25, 2009
Messages
22
Location
Egypt
I just got a new camera and a new lens which i coveted for a long time.

Right after that, I cannot lift the camera to my face. I chicken out !

I was over camera shyness, but it all came back !

I go out with my camera alone to familiar streets, but i can't seem to get the street shooting back.

I am blocked.

I'll jump of a bridge before i shoot landscape or abstract and still life, so help me with your thoughts.
 
Take a deep breath and start clicking. Keeping moving but dont shove into anyone's face. Be quick about it, like HCB. You dont always have to bring cam up to your eye; hyperfocus and shoot from diff arm levels to get started.

EDIT: this is when one camera, one lens works best. meld into the surroundings, no camera bag, just a "local."
 
I assume you are after 'people pictures'.

One exercise we had to do in college was to head out to a public place and take 24 shots of people, asking each subject if we could take their picture -- no hiding behind mailboxes or anything -- we had to have their attention. Every one of us was scared to death, and it took me a whole day to finish the roll, with many breaks for coffee to recover my self-esteem after being blown off, but most of us managed to turn in decent contact sheets.

If you can manage that, you learn to get 'permission' with just a nod or a gesture, and you learn to shoot fast -- no fiddling with focus and exposure -- and that also makes you a better candid photographer for when the time calls for that.

Of the many lessons I learned that terrifying day was that if you look like you are on an assignment, and "working", most people consent. Another is that it seems to be far easier to get permission from a couple than it is from individuals, and better yet, a group of three friends.

If that suggestion seems out of line, here is another angle: There was a famous photographer who used to take someone with him and be pretending to shoot them, all the while shooting people passing by.

Another great thing is to attend public events, rallies, etc. It's great because people aren't just standing around, they are up to something and have something to say, AND they are expecting coverage.

Don't spread this around but I sometimes help myself by wearing my parking pass on a lanyard around my neck -- sorta kinda looks like a press pass at a distance. If it's a 'lefty' tree-hugging event, sometimes I go looking like I'm some scraggy photographer from the Daily Worker. A bit of subterfuge, but not much because I normally look that way most days.

Have courage!
 
I think I'm just starting to come out of a block. Shooting stuff at home certainly has helped. It happens sometimes because sometimes you really do need to take a break.
 
I just got a new camera and a new lens which i coveted for a long time.

Right after that, I cannot lift the camera to my face. I chicken out !

I was over camera shyness, but it all came back !

I go out with my camera alone to familiar streets, but i can't seem to get the street shooting back.

I am blocked.

I'll jump of a bridge before i shoot landscape or abstract and still life, so help me with your thoughts.
After looking at your flickr shots maybe you bought the wrong camera! You have some nice portraits in your flickr stream so I don't know what has you blocked. Of course many of us go through downward spells. I was just jiving about the wrong choice of camera but I know sometimes a certain camera just doesn't feel right. If you don't mind me asking, What did you buy?
 
I just got a new camera and a new lens which i coveted for a long time.

Right after that, I cannot lift the camera to my face. I chicken out !

I was over camera shyness, but it all came back !

I go out with my camera alone to familiar streets, but i can't seem to get the street shooting back.

I am blocked.

I'll jump of a bridge before i shoot landscape or abstract and still life, so help me with your thoughts.
I got blocked for many a month until I gave myself a project. I picked an event (art festival), a camera, one lens and 2 rolls of film. I wasn't allowing myself to go home until both rolls were shot.

After looking at the results I feel I got maybe 6 or 7 really good shots, and that was enough. I'm okay now. Well, as good as I get...
Just do it.
 
There are days that I can deal with people and days that I can't. I don't try to force it. Sometimes I will just stand or sit in one place for a while, waiting for things to 'gel' around me, if I don't sense it, I just don't take pictures.

A lot of your pictures are dynamic. You could make it an exercise to take street pictures without people that have the same sense of energy. Think of them as off-camera jokes in a movie, where someone leaves the room and then you hear a crash, in stead of showing the crash. Take a street scene that has the suggestion of something that is about to happen, or something that just happened.

You may end up having things to shoot on off-days, perhaps even landscapes.
Don't forget to take pictures while you jump off the bridge, and make sure you land safely.
 
Dear Mahmoud,

Stop worrying.

Don't shoot. It ain't as if your livelihood depends on it.

Wait until you feel like shooting again.

If it never happens, don't worry about that either.

Cheers,

R. (frequently 'blocked' for weeks on end)
 
Dear Mahmoud,

Stop worrying.

Don't shoot. It ain't as if your livelihood depends on it.

Wait until you feel like shooting again.

If it never happens, don't worry about that either.

Cheers,

R. (frequently 'blocked' for weeks on end)
Sounds like advice given to ageing men - with similar problems!...but are there tablets available for photography? 😀
Dave.
 
[FONT=&quot]Consider the ‘block’ as a challenge.[/FONT]
[FONT=&quot]A chance to put a different perspective on what you’re doing.[/FONT]
[FONT=&quot]The ‘block’ is a rut-buster. [/FONT]
 
I guess that you have to be doing it for awhile to have boxes and boxes of contact sheets lying about, but what I like to do is take a box of 100 sheets, a marker, and a loupe, and take a fresh look at those old photos. It's almost like looking at somebody else's work sometimes. The excitement of the shoot is no longer there to color my vision. http://thepriceofsilver.blogspot.com
 
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Lots of good advice from people here. A message I received from a very successful Japanese photographer was to tell me what he did when he " hit the wall": forget photography for the time being and do something different that is fun. You can just wait and notice people in the streets and what they do and just enjoy your general visual surroundings.
Hope this helps: the "block" drops in on me occasionally but I don't let it come to the meal table with me. Sorry if I am a bit inscrutable. Believe me, it will change for you.
 
I'd say it is part of the game. Some days I interact well with the potential subjects, some days I don't. If I don't either I do something else or I keep walking without being on the hunt. It feels a bit like sports; somedays you are on fire and get a lot of three pointers (keepers), somedays I have a bad streak and shoot crap. Crap is also mostly when I avoid interaction. And probably very much related to my mood.
 
I often find going to an art museum incredibly inspiring. It gets me thinking creatively, whether the art I'm seeing is photographic or not. It might flip that mystical switch for you....
 
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