Just two weeks ago I printed out 20 large sized images for a gallery exhibit at Union College. The images were all captured on a photography-focused study abroad program in Vietnam last fall. One of the 20 students on the program shot film, and when I printed out his image, I said "Ahhh." There was some character to it provided by the emulsion: nice grain. It has a gritty realism to it, at least, that's the way the grain made me feel. Compared to the technically near-perfect digital images, it really looked fresh and yes, interesting.
That said, the other images were amazing and I would never say "digital is boring". That would be like saying photography is boring. It's not. I've seen digital images that have stopped me in my tracks, moved me to tears, or at least, motivated me to shoot with my favorite DSLR, the Oly E-1.
I shoot both. Digital has it's charms. I think I shoot better on film, when I'm forced to slow down a bit, not riddle my target with shots hoping for the good kill-shot. The process, as someone mentioned above, is nice, and very different. Also, I just don't think that digital cameras have achieved the kind of grace and deceptive simplicity of film cameras. Not yet. They will. I'm not a naysayer, just watching as the technology evolves nicely.
I said above that film cameras are deceptively simple. Well, my Canon P is. An EOS-1v is not. At some point it struck me that all that fancy and complex "multi-pattern" or "matrix" metering was just trying to balance the same old two parameters, shutter speed and aperture. I love how the decisions with film cameras are spread out. Emulsion choice is first. What speed, what brand. How will you develop it later on? That might change what you load up and how you shoot it. (For example, if you develop BW in diafine, you need to know before hand in some cases to shoot at the proper ISO). Once that decision is made, you're committed at least for a while. Then you move on to other considerations.
Last week, shooting on "assignment" at an organic farm, I was using both the P and E-1 when the P was out of film. The P with its 1:1 finder kind of disappeared when it was up to my eye, became a transparent tool. That was neat.
Anyway, ramblings aside, I guess what's more interesting about film for me is the choice of emulsion. DSLRs have tweakable looks, but not nearly to the extent (in camera) of film choices. Post processing is quite powerful (ever use Alien Skin's film emulator...my Gods!) but again, it's a different thing. You can make each image look different....and risk consistency. When you choose a film you're making a commitment to a certain look.
Those are some thoughts on the topic.