Manuel Patino
Established
Forget the CV 15f4.5 and the 25f4 color snapshot. They work very well for B&W, but in color, the magenta fringes are a no-go.... Other focal lengths (35mm and up) of various lenses seem to work quite well (as well as the quality of the lens allows).
Sparrow
Veteran
Right, I've digested that thanks everybody ... now a couple of supplementary questions ...
Is anybody using the EVF much? ... and are 'hot-shoe' connections a standard fitting or must one buy the Leica version?
Secondly, how cluttered is the VF when compared to the M2?
Is anybody using the EVF much? ... and are 'hot-shoe' connections a standard fitting or must one buy the Leica version?
Secondly, how cluttered is the VF when compared to the M2?
Keith
The best camera is one that still works!
Right, I've digested that thanks everybody ... now a couple of supplementary questions ...
Is anybody using the EVF much? ... and are 'hot-shoe' connections a standard fitting or must one buy the Leica version?
Secondly, how cluttered is the VF when compared to the M2?
I use the EVF constantly. I find with my C Sonnar it's the only way to guarantee accurate focus when it matters.
One interesting thing about using an adapter and my OM lenses on the camera is the way digital shows a lens's weakness. My 85 f2 which seemed fine with film looks a bit average when used on the 240 .... very soft at f2.
Sparrow
Veteran
Is yours the Leica one Keith? ...
I'm thinking of a home for the Nikon f2.5/105 too at some point ... using that off a tripod has become a real challenge now, I'm struggling to get some strength back in my arms and shoulders, they're improving but its so slow work
I'm thinking of a home for the Nikon f2.5/105 too at some point ... using that off a tripod has become a real challenge now, I'm struggling to get some strength back in my arms and shoulders, they're improving but its so slow work
Keith
The best camera is one that still works!
Is yours the Leica one Keith? ...
I'm thinking of a home for the Nikon f2.5/105 too at some point ... using that off a tripod has become a real challenge now, I'm struggling to get some strength back in my arms and shoulders, they're improving but its so slow work
No ... the Olympus one. Bought it off eBay used for $120.00 .... the price Leica want for one is a joke .... especially considering it's the same EVF with their logo on it!
Sparrow
Veteran
... do they all have a common fitting? ... I've seen a panasonic one somewhere around the house
jaapv
RFF Sponsoring Member.
No, they are not interchangeable with Panasonic, nor with other Olympus ones, despite the same interface. Only EVF2 will work.
Sparrow
Veteran
... so Keith's isn't working properly then?
Godfrey
somewhat colored
Right, I've digested that thanks everybody ... now a couple of supplementary questions ...
Is anybody using the EVF much? ... and are 'hot-shoe' connections a standard fitting or must one buy the Leica version?
Secondly, how cluttered is the VF when compared to the M2?
I use the EVF quite a lot too. It's a seamless integration for my purposes.
The Leica EVF-2 and Olympus VF-2 are the same unit, just a different logo on the front.
Olympus also sells the VF-3 and VF-4 ... These are not compatible despite having the same connection. Other EVF units for Panasonic, Ricoh, etc are not compatible, and don't have the same connection.
G
Sparrow
Veteran
... got it, thanks
jaapv
RFF Sponsoring Member.
Sorry,It seems I was obscure... both the Leica (slightly different shape) and Olympus EVF2 work. The Olympus EVF1 and EVF4 etc. do not work.... so Keith's isn't working properly then?
Johann Espiritu
Lawyer / Ninja
No problems with the Dual-Hexanon 21-35 at 21mm, but it needed an adjustment in the shims to make it focus right:
Miyazaki
Movie Scene by Johann Espiritu, on Flickr

Vend-O. by Johann Espiritu, on Flickr

Scrutiny by Johann Espiritu, on Flickr

Konichiwa by Johann Espiritu, on Flickr

Tokyo by Johann Espiritu, on Flickr

Tokyo by Johann Espiritu, on Flickr

Movie Scene by Johann Espiritu, on Flickr

Vend-O. by Johann Espiritu, on Flickr

Scrutiny by Johann Espiritu, on Flickr

Konichiwa by Johann Espiritu, on Flickr

Tokyo by Johann Espiritu, on Flickr

Tokyo by Johann Espiritu, on Flickr
Sparrow
Veteran
Nice, and not a lens one sees every day
... has anybody used a Summitar on the M240?
Will it collapse without causing damage, and does the sensor show up too many of its faults?
... has anybody used a Summitar on the M240?
Will it collapse without causing damage, and does the sensor show up too many of its faults?
rodt16s
Well-known
One interesting thing about using an adapter and my OM lenses on the camera is the way digital shows a lens's weakness. My 85 f2 which seemed fine with film looks a bit average when used on the 240 .... very soft at f2.
Keith, your comment rang a bell... the OM sales folder shows the softness as a feature
View attachment 102122
I have the 85/2 was never that impressed
Interestingly the 100/2 (fav) talks Bokeh, before Bokeh became trendy
View attachment 102123
Rod
Manuel Patino
Established
EVF is fine.The olympus one works great and is exactly the same as the Leica branded one... It does "clutter" the camera a little...Right, I've digested that thanks everybody ... now a couple of supplementary questions ...
Is anybody using the EVF much? ... and are 'hot-shoe' connections a standard fitting or must one buy the Leica version?
Secondly, how cluttered is the VF when compared to the M2?
BTW, here is a shot with the CV15f4.5 it's good in B&W but the magenta fringes on the sides are unacceptable for color shots

Godfrey
somewhat colored
Nice, and not a lens one sees every day
... has anybody used a Summitar on the M240?
Will it collapse without causing damage, and does the sensor show up too many of its faults?
I haven't used one although I'm sure that others have. Most people using older lenses enjoy them on the digital bodies for their 'faults' and character (that's why I use a 1960 Hektor 135/4.5 and a Summilux 35 v2, amongst other older lenses
Regards using collapsible lenses, Leica warns NOT to collapse any but the APO 90mm f/4 Macro. I understand that one of the Voigtländer 50s is also safe, but I'm not sure which one.
The reason is that there's not as much room in the interior of the digital Ms as there is in the film Ms: the sensor stack is thicker and the shutter is closer to the lens mount by some distance. With collapsible lenses, it's best to put a semi-rigid sleeve around the collapsible section so you don't accidentally push the lens in and destroy the shutter and/or sensor.
G
EVF is fine.The olympus one works great and is exactly the same as the Leica branded one... It does "clutter" the camera a little...
BTW, here is a shot with the CV15f4.5 it's good in B&W but the magenta fringes on the sides are unacceptable for color shots
Not on the Version III - no color fringing.
Stephen
Manuel Patino
Established
Not on the Version III - no color fringing.
Stephen
I'm tempted to rent one and try it with my M240 before I buy it. I almost pulled the trigger on one today
jaapv
RFF Sponsoring Member.
Incorrect. (but it was written this way in older manuals) Most lenses can be collapsed without problem, but collapsible lenses should be mounted extended. This is the latest advice by Leica. I use an Elmar-M all the time. A lens you should not collapse all the way is the old 9 cm 4.0 collapsible.I haven't used one although I'm sure that others have. Most people using older lenses enjoy them on the digital bodies for their 'faults' and character (that's why I use a 1960 Hektor 135/4.5 and a Summilux 35 v2, amongst other older lenses.
Regards using collapsible lenses, Leica warns NOT to collapse any but the APO 90mm f/4 Macro. I understand that one of the Voigtländer 50s is also safe, but I'm not sure which one.
The reason is that there's not as much room in the interior of the digital Ms as there is in the film Ms: the sensor stack is thicker and the shutter is closer to the lens mount by some distance. With collapsible lenses, it's best to put a semi-rigid sleeve around the collapsible section so you don't accidentally push the lens in and destroy the shutter and/or sensor.
G
http://www.l-camera-forum.com/topic...qs-questions-with-answers/page-4#entry2464102
That would be the 50mm f/2.0 Heliar Classic. When collapsed, the rear of the lens projects inward from the mounting flange by about 1mm. No problem....Regards using collapsible lenses... I understand that one of the Voigtländer 50s is also safe, but I'm not sure which one. ...
The 2009 special nickel finish version does not collapse, also no problem.
The 50mm f/3.5 Heliar's rear surface, when collapsed, projects inward from the screw-adapter's mounting flange by about 6mm. Doubt that this is a problem.
M240 with 50mm f/3.5 Heliar:

Share:
-
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.