Is Your Photography and Gear Buying Turning Into an Obsession?

I'm not chasing gear much at all anymore and sold most of what I had to get what I have. Since I concentrated on using what I have rather than buying, my output has improved tremendously. Funny thing, that...

William
 
I'm overly concerned with gear. Yes. I obsess over an image i find online, and then have to have the gear that created it. And, even after i've tempered my lust with some reason and logic, only a few minutes need pass before i'm back online looking for that very piece of gear.

I've gone through many different systems, both 35mm and medium format. I've gone in circles and come back to things i've sold. Many times over, in some cases. I WOULD have it another way. I don't want to be like this. Oddly, i don't really ever have that much gear at any one time. I do tend to keep things spare in a certain sense. I never have more than three lenses for any system at any time, and usually it's less. But, the point is that i just am not in control of my wants and desires as much as i'd like to be.
 
Another thing that fuels the GAS, and for some reason really drives me batty, is when people see one great shot on some website and say, "Oh, I guess I need one of those now!..."

People, the camera does nothing. Why would anyone think if they buy a camera/lens that was used for an impressive shot that if they just buy that, they will produce the same impressive shots???

Just get out there and shoot with whatever you got and explore all aspects of it.
 
Our Hearts are Restless

Our Hearts are Restless

The famous writer, Augustine from the 4th Century (known as St. Augustine of Hippo to some) wrote in his book, Confessions, "God, you have made us for yourself, and our hearts are restless till they find their rest in you." Regardless of your religious beliefs or disbeliefs, I believe that quote is an interesting one and very relavent to this topic--whether you're restless about your chosen deity or photography and photography equipment.

I think that what appears as an obsession to some, may be seen as a passion to those who are obsessing. Whether the goal is to have the perfect camera so that you can take better pictures, or to take just better pictures in the hopes of one day taking the perfect picture, there isn't much difference. Both are the result of a restless person, a desire, a passion that cannot be fulfilled and yet we must try to fulfill it.

Life is disconcerting. Capturing life in a photograph, putting it within the frame lines of a camera's viewfinder and freezing a moment in time within the boundaries of the white borders of a printed photograph somehow seems to bring order to life, if only for 1/250 of a second and at the same time forever in print.

Having just the right camera, the best lenses--finding them at good prices, taking care of them, knowing how to use them, how to describe their features, all of these things--make us feel that the world has some order to it and our little bit of it is under our control. Holding my new Zeiss Ikon camera with my matching, spiffy Zeiss 35mm lens makes me feel safe. It's not a sustainable feeling. It does not provide me with the slings and arrows of outrageous fortune, nor does it protect me from and help me to take arms against a sea of troubles. It just makes me feel good for a few minutes at a time. It makes me feel at rest.

And yes, those who do nothing with their lives, those who have no passion for anything, they criticize and try to discourage those who seek the unseekable. Otherwise they might have to admit to themselves that they have wasted their lives. So, they try to make us feel unhealthy for our supposed obsessions, for our obsessions. We are unhealthy, unhealthy in the sense that we are not as those who sustain life until death, bereft of passion.

It is always an external and internal struggle to follow our passions. Despite the warnings to the contrary, I will not die as a result of having spent too much money on photography or pursuing any of my other passions. However, I will live a slow and miserable life and thereby forfeit my life if I do not follow my passions. My god made me this way, restless that is. Even if the notion of a creator is my convenient imagination, still, I do not seek to be other than I am.
 
going out and shooting: that's the creative and fun part. Darkroom printing (or photoshopping for that matter) too. Or painting. But buying and selling gear? naaaah
We all know the camera doesn't take the picture. Obsessing about photography is one thing - but obsessing about gear, that's pointless. just my 2 cents
 
Wow Russell, that just about says it all. I have shot with everything from 16mm to 4x5, and it was at first just the need to experiment with different formats to see which I was comfortable with, and could handle okay. Then a few years ago I had to sell almost all of it just to have something to eat.

Lately though, I have been trying to recapture some of that feeling one gets by handling a fine piece of gear. I would see a camera for sale, go "I've always wanted one of those", and then once I had it, needed to get every accessory available to make a complete kit. It did become a bit obsessive, only in the sense that most of the cameras I was getting did not operate well anymore, and would need a bit of work, so why spend all that time and money chasing after the elusive filter, flash mount, or bracket when I couldn't even use the camera?

As it turns out, some of those cameras are quite easy to work on, so it feeds my want of something to accomplish since my disability set in, and I can no longer do my old job of repairing railroad signal equipment. But the GAS portion of that is over for now. I spent good money on cameras that I didn't even plan on using, just because they were models I owned before and really liked. I mean, who shoots with a Minolta 110 Zoom MkII anymore? I never liked the results I had from it, but just thought it was the coolest thing around. Until the Pentax 110 came out. But I got it just for nostalgia sake, because I had not seen one in a long time, and this one was complete, and still worked.

But some of the other stuff I got that I thought I really would like just didn't pan out. That's when I started to think this was an obsession that was not very good. So I 've throttled way back on my aquisitions, and only buying accessories for the two or three cameras that I feel I'll use the most. And if they have common filter sizes, all the better, because then I only need one set for multiple cameras. And who cares that the filters are not the same brand as the camera, since some of those are just rebranded Vivitars or Tiffens anyway. But I will always obsess over the performance of the equipment. It has to do what I expect it to do, or I lose interest. And you know, you just can't eat cameras.

PF
 
I went 6 years without buying anything.

This month, I added a rangefinder and a 35mm lens.

I think I'll be ok for another 6 years.

If I find myself drooling over some bit of gear, I just go out and shoot. its the best cure for GAS.
 
russelljtdyer - Russell's signature line: Seen occasionally petting his Zeiss Ikon camera and quietly calling it, 'my precious', much to the discomfort of those around him.

This is one of the best signature lines I have seen. Very funny!!! Great post, Russell!! - jim
 
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Thanks, Jim. Before I bought my Zeiss Ikon, my signature used to read something like, "Often seen carrying a Canon P as old as him. They both look great--they're classics!" But now, sadly, my love affair with my new Zeiss Ikon has caused me to forget all about that Canon P. I should feel bad, but it makes me feel young again!
 
I used to be obsessed, but have now let decided to let it all go except for a good digital body, film body, and a couple of good m-lenses.
 
Think other people would say it's a sickness in my case.

Must confess that I have way more cameras than I actually need, and there certainly has been no logical planning in my purchases. There's certainly a gearhead side to it--think the dwarvish Swiss side of me just has a thing for fine pieces of precision machinery. But also nothing beats a fine photograph taken with the right piece of equipment.

I'ts a bit like that thing the Duchess of Windsor said about "you can't be too rich or too thin." You can't have too many cameras....
 
Another thing that fuels the GAS, and for some reason really drives me batty, is when people see one great shot on some website and say, "Oh, I guess I need one of those now!..."

People, the camera does nothing. Why would anyone think if they buy a camera/lens that was used for an impressive shot that if they just buy that, they will produce the same impressive shots???

Just get out there and shoot with whatever you got and explore all aspects of it.

That's logical. But, it ignores too many factors. I wish i could think that way, and dismiss all else. But, it assumes you want to make one kind of photograph, in one kind of situation. And, that you're not all that particular about the minute details within the image. It's sorta like saying lenses don't have signatures.

Even if you can lock yourself down to a particularly stringent set of operating conditions, the 'rule' assumes that your interests won't change.

For me, in the beginning, i was shooting fashion. Pre-internet, and before the word and discussion of "bokeh" came about, all i knew was which cameras my influences were shooting with. But, i didn't identify the characteristics of those various lenses until later. So, i tried different medium format systems in an effort to get (very) specific image characteristics. Also, in the process of shooting and working with models and lighting, you get a sense of which systems work best with the style of photography you're developing for yourself. So, things change. It's evolutionary. And, because i would sometimes go back to a system i previously sold, it was sorta 'revolutionary.' It would have been great to just rent systems. But, the effort of procuring them, and returning them, plus the cost - well, it was more cost-effective to buy and sell.

Later, i dismissed "fashion," and my interest in other photographies developed. So, i wanted different gear. And, since i never found a 'perfect' camera system, i kept trying them. But, it wasn't entirely out of a perceived need. I just LIKE cameras. I appreciate design. And, engineering. It's an aesthetic thing as much as a sensual thing. And, on a few occasions i talked myself into a system, because i wanted to like it. Leica M, for example. But, i never really liked rangefinders for composing. I tried, because the glass is so great. The form factor is so great. So many of the pictures i love were made with them. But, they're not for me. But, you have to try in order to know.

Even though i regret a few gear decisions/choices, i don't regret having had the experience with them. Choosing one camera is like choosing one car. I LIKE cars. I don't really want to get married to one.

I disagree that "the camera does nothing." We're in a forum that primarily discusses cameras. The topics are camera-specific. People here "love" one particular camera or another. To be able to say 'just one is enough' is a pretty significant type of commitment. Could you make the same commitment to just any camera? You could just go to a store blindfolded, come home with one, and not wish for any other? Some people are easy to please. They can wear Wranglers, $20 shoes and a t-shirt, and they're happy. Me? Sometimes i'm unhappy with the selection at Bergdorf Goodman.

But, here's 'where i'm at' now:
Canon 5D2 + EOS3: 24/2.8, 50/1.4, 85/1.8 (soon).
Nikon F100 + FE2: 50/1.8S-E, 35/2 Mir-24.
Hasselblad 203FE: 80FE, 150FE.
That's it. Not extreme. But, yes, as you condemn me for : ( i saw some pictures from a Yashica, and i want one. Despite it not really having a purpose or place in my kit. I just looked into Hi-Matics after seeing some pictures in a recent thread here.... I look at the first few classified listings every time i visit, despite not really needing anything i expect to see....
 
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Yes, but it's a lot of fun.

I love testing stuff. I love getting atmospheric photos. To sustain my obsession I've had to refuse an offer from my wealthy brother of a DSLR because it would destroy the automatic discipline of the cost of each frame of film, and the satisfaction that digital's pleasures can't reach. I love searching forums and asking questions.

But I don't bother my girlfriend with it too much. It bores the socks off her. And I don't take a camera to the restaurant, or on a walk. But when I look at my Pentax ME super on the window sill I do find myself thanking God for it: it's such a pretty thing and gives me so much enjoyable engrossment.

If I get married I may find myself putting these childish things away and turning myself to the others, and playing with real children. I do feel I should pay more attention to my elderly relatives, even now. There is always regret, and the hope of defeating it.
 
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