iso 800 color neg?

aizan

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i've become obsessed with getting a modern 35mm for color, just to take pics around the house and out and about. i'll either get the 35/2.5 pii or pre-asph 'cron for the size and ergonomics. if i get the pii, i'll need to use iso 800 film much of the time, or push iso 400, which i haven't done in color. which film(s) do you recommend for overall balance of grain, sharpness, contrast, color saturation, and handling of artificial lighting?
 
Try some Fuji Superia 800 and see how you like it. It's one of my favourite films, though it creates somewhat ruddy flesh tones. Remarkably fine-grained for its speed, and it does a pretty decent job under artificial lights.

Gene
 
I agree with Gene. Fuji Press 800 is slightly better with its grain; some say it's the same thing as the "Xtra" label, but I do notice a difference, and I think it has a little bit more exposure lattitude.
 
aizan said:
oh, and it should be a fairly solid performer in 8x10 prints.

You'll have no problem then with Konica's 800 either, then. Just don't --repeat-- don't use Kodak's crap-Max 800; unless it's the "Professional" brand, and even then it's best when it's used in certain light temperatures.

So, for overall commercial films, Fuji is your best bet.
 
I've always liked Fuji NPZ....although it may be called something else now, they've re packaged alot of their pro color neg films.
 
anyone try portra 800? the color looks great, even in tungsten, flourescent, and sodium vapour lights. haven't found samples under different types of light yet.
 
My standard film for environmental portraits is Fuji NPZ800, and I set the meter to expose it an additional 2/3 f-stop for better color/contrasts in the shadows. Lovely film and surprisingly fine grain.
 
I've heard great results of the fuji 800
I bought about 20 rolls, but they were awful to me
color is dull, and very grainy
I still have a lot of those sitting around..........

probably mine just don't like me 🙁
 
I buy the 50 packs of Fuji Press 800 from B&H Photo in NYC; It's about $2.40 or thereabouts for a 36, about half of the list price. I've been through 4 or five boxes of that film with my Bessas' (two L's and two R's), set the meter at 400EI, and I have had -just a few- underexposures for those hundreds of rolls. You can get a very nice 5x7 full frame, 8x10's are about the largest I will go with this combo.

For really dim light you might want a faster lens, I bought a 50/1.5 NoktonVC for -no light- shooting, and it works really well. I've handheld shots 1/8 at 1.5, and the results were amazing. Of course YMMV. 😀
 
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foon said:
I've heard great results of the fuji 800
I bought about 20 rolls, but they were awful to me
color is dull, and very grainy
I still have a lot of those sitting around..........

probably mine just don't like me 🙁

If you are getting dull colour and grainy prints you might try a little more exposure. Same thing seems to happen to me if I do not expose it enought. Other than that it is great film for indoors.

Bob
 
daniel, my second choice is the pre-asph 'cron. i'm just looking into film to decide whether to go with the more affordable skopar pancake. and it's gotta be a wide lens, with good bokeh wide open. having to stop down a couple times to smooth out the noktons is unappealing, as are their larger size and narrower field of view.
 
Exposure Problem

Exposure Problem

foon said:
I've heard great results of the fuji 800
I bought about 20 rolls, but they were awful to me
color is dull, and very grainy
I still have a lot of those sitting around..........(

This sounds like you under-exposed the film. SYmptoms are excessive grain and muddy colors. Why don't you try another roll , but bracket your exposures?

Robert
 
I've only tried NPZ800 once, in my former contax iiia. The camera got stolen when the film was still in it, with the last frames unused. I thought this might be a sign, LOL

Since then i stuck with iso 400 and bw 3200, nothing between.
 
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