99.9%
99.9%
Started on film, will end on film. This year was the first time I tried shooting digital for pleasure (ie, not for ebay). Got some 'decent' shots, but felt no love in it. It subverted my whole process, one developed over nearly 30 years. What it comes down to is camera handling, pre-visualization, and finally, a sense of value with each frame.
I work with young people who never touched a film camera who seem to be startled (in a good way) when shown what film pictures look like. Our eyesight is so inundated with digital imagery everywhere--a purely analog film image (both still and/or motion) is beginning to look almost abstract, painterly; even otherwordly. I see that as a positive change. The collective 'eye' is/has been re-trained for another kind of image. Not enough to make analog into "automatic art" but enough to distinguish it. I look forward to the increasing resolution, 'quality' and consequent perpetual obsolescence of digital cameras--each year further reinforces the primal, 'low-fi', photochemical image.
It is emotionally difficult to witness disappearance of certain films, and skyrocketing prices for good lenses (further proof digital shooters' belief in somehow capturing 'best of both worlds'.) Though it does prove Film is still the top, at least as far as the lofty human ideal of art goes, even for those shooting 100% digital.
(Prove me wrong about digital and stop putting that horribly flawed, non-computer-designed vintage glass on your M9s etc.)