I probably can't make the 31st. I have a 25 year reunion to go to on the 30th.
John,
Funny how a month can get booked so fast. What does it all mean? Lately I think there has been a lot of "Divine Intervention" in my life, and this is coming from a guy who celebrates no religion. Anyways my spirit somehow I feel is being guided in a mysterious way. Meanwhile the rest of the world seems to be deteriorating in a rampant way.
This Public Storage exhibition possibility is looking good for me. Really suits my work. "No Longer Empty" does these pop up exhibitions in empty spaces.
The most recent update is the storage visit will happen in August instead of July and the exhibition will happen in October instead of September.
All entrants will be on a blog, so this is one level of exposure; then 20 artists will have their storage unit visited and will be video interviewed; then culled down then is 10 artists who will be exhibited in Manhattan Mini Storage in SoHo.
My idea is to be like the real estate market: make large prints thinking that some rich guy will buy them. The 3 landscape images are the Domino Sugar Refinery: Williamsburg for an exterior landscape shot; Columbus Circle: Interior/Exterior for a remarkable indoor/outdoor shot; and an Eastern State Penitentiary for an indoor shot of "perserved ruins."
For street shots I submitted the shot of Luis Mendez, Jamal Shabotz, and Anthony on Broadway near the now closed Leica Gallery, and the shot of Sal who has lived on East 106th Street for over 40 years and raised 6 kids while working the docks. I also call the shot of Sal "Landscape-Face" because he was a boxer and his face has so much character.
Anyways I'm pretty good at publicly masturbating and putting myself out there. I'm hoping to get shown, and with an opportunity like this anything can happen.
I think I will be busy printing cell shots from ESP that can be a complete body of work by itself. I also happen to have mucho 17 inch wide rolls of John Cone Type 5 that offer a satin finish that might look very compelling with the glow-We diffused light that appears to be so dreamy.
I totally can see how my work fits into the manifesto of the curators. I'm hoping that they see the sense of history I'm presenting of a changing New York. Know that they also consider proposals and projects, and I mentioned that I have hundreds of thousands of negatives...
Cal