Avenon, Komura, Kobalux LTM Komura 28 3.5 vs Color Skopar 28 3.5

Avenon, Komura, Kobalux lenses
Hi pagpow,

I only own the Komura, but would be happy to contribute shots for such a comparison if anyone else can supply the Skopar 28mm f3.5 shots!
 
Hi pagpow,

I only own the Komura, but would be happy to contribute shots for such a comparison if anyone else can supply the Skopar 28mm f3.5 shots!

Thanks, CLE-RF,

I've gone to flickr and checked out the Skopar 28/3.5 group and their shots. They look good, ie seem to have three-dimensionality and depth to them, but I cannot tell from examination whether they match the feeling of the shot you posted to the earlier thread.

Can you say whether all your shots with the Komura 28/3.5 have that charecteristic, or whether it is likely to be an artifact of that space and light?

Giorgio
 
Canterbury Cathedral

Canterbury Cathedral

Saw the remark just now (kinda late).

I will be visiting Canterbury this coming weekend, and will shoot at the Cathedral there. I'm bringing the same Kodacolor 200 film, so a comparison should be possible somewhere early November, once the film has taken its baths!
 
The comparison, as promised!

The comparison, as promised!

Canterbury Cathedral, shot with Leica M6, W-Komura 28mm f3.5, Kodacolor 400, wide open @ 1/8th hand held

4073255200_bf09dc7ca5_o.jpg



Kutna Hora Cathedral (Czech Republic)
Shot with Leica M5, W-Komura 28mm f3.5, Kodacolor 200, f5.6 @ /1/125th


3534654582_a0c65260a0_b.jpg


As you can see, the light was quite different (Canterbury in fall end of the day, Kutna Hora in spring early afternoon, light vs. dark cathedral)

Yet, I feel the W-Komura has kept up the reputation it already had with me.

Now, anybody wanna chime in with some Color-Skopar 28mm f3.5 shots?
 
Another one, no color correction, only dustbusting and propping up straight :)

4072668443_f4be64c121_b.jpg


Shot with Leica M6, W-Komura 28mm f3.5, Kodacolor 400, wide open @ 1/8th. End of the day, cathedral nearly empty, at last :)
 
I have the 35mm Komura, and it rocks. The colors come out pastel like, and the lens is very sharp.
 
I have the 35mm Komura, and it rocks. The colors come out pastel like, and the lens is very sharp.

Hi Raid,

just wondering, what film do you mostly shoot with the 35mm?

I have the same lens, and have loaded the camera with Kodacolor film, but after reading your remark I wonder if the lens does this rendering with other film as well?

This is my Kyoei W-Acall 35mm f3.5:

3533491390_f940fcfc2d_o.jpg


That lens is a keeper, for sure.
 
Johan,
I like using Fuji Reala 100. This film is highly suitable with good vintage lenses. The Canon 35mm/1.5 gave me great results with such a film too.
 
Canterbury Cathedral, shot with Leica M6, W-Komura 28mm f3.5, Kodacolor 400, wide open @ 1/8th hand held

4073255200_bf09dc7ca5_o.jpg



Kutna Hora Cathedral (Czech Republic)
Shot with Leica M5, W-Komura 28mm f3.5, Kodacolor 200, f5.6 @ /1/125th


3534654582_a0c65260a0_b.jpg


As you can see, the light was quite different (Canterbury in fall end of the day, Kutna Hora in spring early afternoon, light vs. dark cathedral)

Yet, I feel the W-Komura has kept up the reputation it already had with me.

Now, anybody wanna chime in with some Color-Skopar 28mm f3.5 shots?

Thanks so much, CLE-RF.
 
They've really cleaned up the cathedral at Kutna Hora since I was there in '99. Saint Barbara's, I think? Loved the ossuary in Kutna Hora as well. I'm a big fan of the 28mm Skopar; I'll try to upload something suitable when I get home.
 
Your Komura 28/3.5 is sharper than I expected. It is not an easy lens to find at a reasonable price unfortunately. The CV 28/3.5 in my view clearly outperforms it, but that is expected due to its modernity. Like the Komura, it too will probably become collectible and soon if history is any guide.
 
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