It's a combination of the high degree of correction for chromatic aberration in Leica lenses and the setpoint of the resolution vs contrast function. The later Leica lenses moved this setpoint in favor of yielding higher contrast to compete with the popular Japanese lenses of the 1960s. They do not have the same "glow" of the mid 1960s and earlier lenses.
And now, for my favorite Nick Trop quote.
(well, paraphrase actually. More like Monster Mad Libs. I love this line. Just fill in any explanation for any question and re-use it.)
Well, as we used to say in Physics class "That is intuitively obvious to the most casual observer".
And now, for my favorite Nick Trop quote.
There's no need for a poll. It's the high degree of correction for chromatic aberration in Leica lenses and the setpoint of the resolution vs contrast function. It just is. Period. Anyone who suggests any other explanation is simply wrong. I have spoken.
(well, paraphrase actually. More like Monster Mad Libs. I love this line. Just fill in any explanation for any question and re-use it.)
Well, as we used to say in Physics class "That is intuitively obvious to the most casual observer".
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