Life's little (photo) lessons - what are yours?

Just returned from three weeks overseas, lastly in Japan, but all in high summer and HOT. Perhaps we need a “Life’s little (summer travel photo) lessons”, but I suspect there is much in common with the current topic … In any event, after a similar experience in Japan in September 2023 with high heat and humidity, here are a few observations for travel photography in hot weather from my experience …

1. Since you will be walking a lot, sweating, and generally suffering for the experience, everything you are carrying will get heavier and more uncomfortable throughout the day. Carrying those two bodies and lenses that were no issue in any other season will be a very big issue when it’s 32 degrees Celsius and 90% humidity.

2. A current generation iPhone Pro with its three lenses (or equivalent) is light, easy to carry in a pocket, and is more than capable of capturing the moment when it counts (which is at least 75% of the time when travelling). If you are self conscious or just need/want to be inconspicuous, nobody considers taking photos with an iPhone “photography” for the purpose of most rules or regulations. This is illogical but generally applicable.

3. For more considered, serious photography on the move, a compact zoom camera (e.g., Canon G7X MkII in my case) might be all you need, or could be bothered carrying. Just pack an extra battery or two (they are tiny).

4. When travelling you can’t always ‘get closer’ easily or at all. A telephoto lens (90mm+) will likely be as useful as your favourite wide/normal (28-50mm). I was surprised at how many photos I took at the long end of my compact camera/iPhone zoom range.

5. If it catches your eye, photograph it. You might (will very likely) never come back to the same spot or see an equivalent scene.

6. If you are travelling with family, put AirTags in their shoulder bags so you can find them again after they leave you behind when taking your time photographing a scene…….

7. Keeping your camera in a backpack is pointless as it’s too slow to access for anything, not to mention it just get very uncomfortable as you sweat profusely around your back and armpits. Use a small shoulder bag across your body with easy access that you can just ‘drop’ your camera back into after use, or just a camera strap (although you might wish for more protection or to keep your camera out of sight in some circumstances).

8. You will resent bringing that Leica SL(X) with 24-90 zoom that generates amazing IQ after nearly dropping it out of your sweaty hands for the umpteenth time and just generally managing the excess bulk and weight while you are frying under a burning sun with no shade. At least you will be wearing a wide brim hat (unlike any other tourist who must have UV proof skin) to keep your head/face/neck a little cooler and unburnt.

9. Once you get home and are enjoying your images with family, you won’t care which camera or lens you used to shoot them. The images endure longer than the photographic experience.

10. If you are not travelling in high summer, and don’t mind carrying a little more weight, items 1, 7, 8 and to a lesser extent 9, no longer apply. Knock yourself out carrying and using whatever you fancy. However regardless of weather, item 1 will always apply eventually.

11. Enjoy.
 
Just returned from three weeks overseas, lastly in Japan, but all in high summer and HOT. Perhaps we need a “Life’s little (summer travel photo) lessons”, but I suspect there is much in common with the current topic … In any event, after a similar experience in Japan in September 2023 with high heat and humidity, here are a few observations for travel photography in hot weather from my experience …

1. Since you will be walking a lot, sweating, and generally suffering for the experience, everything you are carrying will get heavier and more uncomfortable throughout the day. Carrying those two bodies and lenses that were no issue in any other season will be a very big issue when it’s 32 degrees Celsius and 90% humidity.

2. A current generation iPhone Pro with its three lenses (or equivalent) is light, easy to carry in a pocket, and is more than capable of capturing the moment when it counts (which is at least 75% of the time when travelling). If you are self conscious or just need/want to be inconspicuous, nobody considers taking photos with an iPhone “photography” for the purpose of most rules or regulations. This is illogical but generally applicable.

3. For more considered, serious photography on the move, a compact zoom camera (e.g., Canon G7X MkII in my case) might be all you need, or could be bothered carrying. Just pack an extra battery or two (they are tiny).

4. When travelling you can’t always ‘get closer’ easily or at all. A telephoto lens (90mm+) will likely be as useful as your favourite wide/normal (28-50mm). I was surprised at how many photos I took at the long end of my compact camera/iPhone zoom range.

5. If it catches your eye, photograph it. You might (will very likely) never come back to the same spot or see an equivalent scene.

6. If you are travelling with family, put AirTags in their shoulder bags so you can find them again after they leave you behind when taking your time photographing a scene…….

7. Keeping your camera in a backpack is pointless as it’s too slow to access for anything, not to mention it just get very uncomfortable as you sweat profusely around your back and armpits. Use a small shoulder bag across your body with easy access that you can just ‘drop’ your camera back into after use, or just a camera strap (although you might wish for more protection or to keep your camera out of sight in some circumstances).

8. You will resent bringing that Leica SL(X) with 24-90 zoom that generates amazing IQ after nearly dropping it out of your sweaty hands for the umpteenth time and just generally managing the excess bulk and weight while you are frying under a burning sun with no shade. At least you will be wearing a wide brim hat (unlike any other tourist who must have UV proof skin) to keep your head/face/neck a little cooler and unburnt.

9. Once you get home and are enjoying your images with family, you won’t care which camera or lens you used to shoot them. The images endure longer than the photographic experience.

10. If you are not travelling in high summer, and don’t mind carrying a little more weight, items 1, 7, 8 and to a lesser extent 9, no longer apply. Knock yourself out carrying and using whatever you fancy. However regardless of weather, item 1 will always apply eventually.

11. Enjoy.

32C? That's cool compared to where I am now in Malaysia. 34C-35C yesterday at 9 AM with humidity in the 90s. After a few minutes' walking I was sweating, with about 5 kilometres to go. Two or even three destinations in mind for look-seeing and picture-taking, fortunately the distances between the sites are quite short and there were many trees to linger under and cool down in the shade.

I had my Xpro2 and the Fujinon 18/2.0. A lens hood and a UV filter.

In my backpack, a spare battery (which I used) and the lens cap. TWO bottles of water. The Fujinon 18-55 (which I never used, so therein lies one lesson, in future take only the lens I need). Two hand towels. Two bananas for my mid morning snack.

In the Chinese cemetery there were many trees with welcome shade. I sat under several and enjoyed the views and the plentiful local wildlife, especially the birds. My goal here was to look for close-ups which I found in profusion - stone dogs, religious statues, odd historical monuments, big rocks, massive graves and mausoleums.

What I'll do with these is a moot point. I hesitate to not post images of the cemeteries I visit (and I've seen many in my time) as my Chinese friends are deeply superstitious and believe looking at cemeteries and graves brings misfortune to the living. So these are for my own use. I did a mix of color - Fuji Pro Neg Hi, color at +2, highlights -1, shadows +1 - and B&W - Across with red filter. The colors are super good, the monochrome not quite what I intended as maybe I should have set the Xpro on Acros with yellow filter. But those images will do with some post processing.

Then on to a lovely Lake Garden, created in the 1880s by the wife of the English Resident of the town and one of the most charming botanical gardens in SE Asia. I've photographed this lake several times in the past, so I walked around - again keeping to the shadows of the tall trees - I ended up with about a dozen photos, I hope a few keepers.

On the return trek I revisited a few old colonial buildings to note the deterioration - sadly, in the smaller places if a building isn't in use for something or other it isn't worth spending money to keep it in good order. Two of the buildings I passsawed date to the 1880s-1890s and are in an advanced derelict stage. All are boarded up and fenced off with no sign of any restoration or even basic maintenance. Eventually these will be at risk of collapsing and the inevitable with happen - demolition. At least I have images of them. In a decade of many visits here I've not seen any other photographer bothering to photograph them.

I was back at my hotel before noon for a wash-up and half a litter of bottled water to rehydrate. Then a pleasant Chinese vegetarian lunch at a nearby food court. For me a good day, about 100 images. Maybe 20-30 keepers, but being me I believe everything I photograph is be kept. Western Digital hard disks are my best friends.

Okay, lessons. What tips did I learn from all this?

Take only the gear I intend to use. My Xpro2 and one lens, the 18. The 18-55 wasn't needed. Not a heavy lens to cart about, 'tho. My XE2 would have been almost as good, but not this time.

Take a sun hat and sunglasses, lots of water and a few hand towels. You will need all four.

When in doubt about an image, take it anyway. At my age I may never return. Knowing me, I will be here again in the next 12 months, but who knows?

This time I learned to not float to-fro between color and B&W. The Acros + red film simulation is ideal for certain images, but for me a cemetery in the blazing midday sun wasn't one. Many of my B&Ws are too light, especially the close-ups The distance shots look okay. I'll decide on those when I post process them. But for now, for me it's best to do either color of B&W, not both.

Of course the key rule of thumb here is YMMD.

My few stray thoughts, long-winded as usual. Poster's tip #11 is by far the best one...
 
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Just returned from three weeks overseas, lastly in Japan, but all in high summer and HOT.
My family visited Japan in July 2023. We also had extremely hot temperatures. Walking from the train station to Gōtokuji Temple, a local man saw us suffering in the hot conditions. A moment later he appeared from a small supermarket with an ice cream in hand for all three of us. We couldn't believe such kindness from a complete stranger.
 
My family visited Japan in July 2023. We also had extremely hot temperatures. Walking from the train station to Gōtokuji Temple, a local man saw us suffering in the hot conditions. A moment later he appeared from a small supermarket with an ice cream in hand for all three of us. We couldn't believe such kindness from a complete stranger.
Our record in 2023 was 5 ice creams in a day to keep cool. Sacrifices we make for comfort …. 😉

I was quite shocked on this last trip at the very few people I saw wearing a sun hat, or any hat at all, under the blazing sun. Perhaps we just have more sun sense in Australia, but aside from the few locals who carry a sun umbrella, all the tourists were hatless. They must really think skin cancer is a myth …
 
Our record in 2023 was 5 ice creams in a day to keep cool. Sacrifices we make for comfort …. 😉

I was quite shocked on this last trip at the very few people I saw wearing a sun hat, or any hat at all, under the blazing sun. Perhaps we just have more sun sense in Australia, but aside from the few locals who carry a sun umbrella, all the tourists were hatless. They must really think skin cancer is a myth …
I'm not sure what happened in the intervening time, but when I was in Japan in 2010 (photo thread coming eventually) it was the tail end of summer, and many, many people, particularly women, wore sun hats. There was even a woman on a bike wearing a full tinted face visor.

As for sunny days, part of my life's photo lessons are that you can see through a viewfinder more easily with a hat or hoodie shielding your eyes.
 
I’ve been accused of stating the obvious before; so, here I go again.

Somebody mentioned photographing for "likes". My advice is simply to be true to yourself. People may like what you do and they may not like what you do, it’s inconsequential… like the song says, “you can’t please everybody so you got to please yourself”. However, having said that, I believe that one must strive to create images of interesting content, good composition and hopefully some emotional resonance. If one is satisfied with their photograph then all is good; the mission is accomplished. Post your image for all to see and move on to the next project.
There's an Australian woman on flickr who obsessively posts photo after photo of events and places, and these photos are repetitive and what I deem to be boring. Just dozens of snapshots of some place or cultural event, over and over again, no culling, no editing, nothing. But she does it, and seemingly without regard for what others think. So she's being true to herself, but not necessarily striving for interesting content or emotional resonance. She puts her work out there for her own reasons.

Then I look at the highly curated works of the masters of the past like the Magnum photographers, or more recent photographers with great bodies of work like Australian Patrick Brown and Canadian Greg Girard, and wonder how can I even have a fraction of that talent and output. They are so inspiring! So another photo lesson of life is to drink deeply of the works that inspire you to become something more than you currently are.



If one receives unsolicited criticism, ignore it. There is no better place on earth than the internet to make a fool of yourself; trust me, I know. Don’t let your pride get hurt. If somebody is trying to stomp on your dream, ignore it and walk away, they’re the one with a problem, not you. The good and decent members of RFF are all rooting for everyone to be good photographers. They are sharing in everyone’s eagerness and happiness to share photos, comments, questions & answers and to be a part of a good community.
Hear, hear. RFF is the place to be.
 
I make little labels to go on each of my cameras that say "Check your settings stupid"
There's a guy online who sells adhesive checklists for video shooters. The list sticks to the body of the camera behind the flip screen, so it becomes visible when the user opens the screen for use. It includes items like exposure, white balance, shutter speed/angle, and other things of which a video shooter can be reminded, and it's not a bad idea at all. I would have benefitted from such a handy checklist immensely in my early years of video work.
 
When you grab a rollfilm camera for an outing, check that there is an empty take-up spool inside. Better find out now than on location. Last resort: sacrifice an unexposed roll.
 
It’s not so much a spare card, as the number of images you can take on just one is ridiculous, it’s often a spare battery that’s the key. Though everything everyone has said in this thread makes total sense. Love the setting your lens to infinity, I’ll try that. I’m pretty boring. I am drawn to a 35mm lens full frame, (or equivalent) regardless of the camera and can I carry it easily?

Boiled down it is: ALWAYS carry a camera, even the damned phone. Keep your eyes open, and don’t put off taking what you see. And never delete an image, just store them away. Oh and good shoes…again love that.
 
.....Love the setting your lens to infinity, I’ll try that. ...
The advantage of always having the lens set to infinity is that when you need to move quickly, it's a short distance from infinity to 10 or 5 meters. You also know which direction to turn to focus, so you don't have to turn left or right.

With a little practice, you can do it very quickly. Sometimes faster than someone who has to first select the right autofocus field
😎
 
The advantage of always having the lens set to infinity is that when you need to move quickly, it's a short distance from infinity to 10 or 5 meters. You also know which direction to turn to focus, so you don't have to turn left or right.

With a little practice, you can do it very quickly. Sometimes faster than someone who has to first select the right autofocus field
😎
Such good advice and sooo obvious I can’t believe I hadn’t thought of that. Like all good advice and good ideas, it’s like” duh” of course!
 
Likewise:
When I photograph at events, I first measure the light in the shadows and in the light. Usually, there's a difference of two stops. Then I select the appropriate film speed so that with a 50mm lens at f/5, f/6, or f/8, I achieve an exposure time of at least 1/60 of a second.
A 50mm lens has an angle of view of approximately 45°.
I imagine this angle based on my eye. This allows me to always estimate what field of view I'll get with the 50mm.
Then: look around carefully. Anticipate any possible action. The lens is set to infinity. The camera is set to the shadow value. The object of desire has been spotted. Is it in the light or in the shadow? (If the object is in the light, quickly close it by two stops.) With the 45° view, estimate how large it will be in the image. Approach discreetly.
Raise the camera, turn the lens briefly, click, and it's over.
Nobody saw anything, nobody noticed anything. While I set the lens back to infinity, my eyes are already searching for the next victim—er, object.
😎
 
Many times, especially if I am out and about doing landscapes in stable light, I'll set the lens to the hyperfocal setting for the appropriate f stop for that light. For f/16 that can mean that a very large area is in acceptable focus and all I need to do is get my framing, snap and move to the next spot. This is especially true with rangefinders but the technique works just as well with (D)SLR & TLR cameras.
 
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