I guess the rest of us just own expensive lenses haphazardly?
Dante
Well, lucky you. Leica makes an X, Q, T, SL and S series of cameras, offering just these things.[...] I'd love to see a Leica with more ergonomics, AF compatibility, WR, and finder window innovation. [...]
I think with the M line Leica should stay with the roots. They have the other lines for all the EVF, AF and video-taking capabilities.
When someone buys an M, he/she buys it for being dead simple to use (meaning clear layout and no menu diving, fn-buttons or scene automation, no cluttering BS so to speak) and obviously an optical RF
I see that other people enjoy the hybrid abilities of the M240, but other than the sensor I'd prefer my M9.
Because Fuji won't offer the thing I want in one way, and Leica won't the other way. I've shot with the MM - both versions are okay, but I'd love to see a Leica with more ergonomics, AF compatibility, WR, and finder window innovation. I've always hated the >o< exposure indicator for instance - it (sorta) makes sense for a (mostly) mechanical film camera but it's just Ludditic/nostalgic on a digital camera. Why can't the info be more well represented like my 5Dm3?
Why are we still presented with a bloated body that was mostly designed in the 1950s? Why do the framelines still operate mechanically? Why do we have an ancient way of opening the battery compartment? Why are the bodies not all mag-alloy? Why not offer a few weather sealed lenses (IIRC the bodies are aside from the mount)?
I just want options for my tools and, because of all these vanities, I don't think of the digital Leica Ms as tools, just toys.
The term 'curated' has been overused in everyday life. From clothing stores, to gourmet donut shops, to now lens ownership.
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I would think to be curated, each lens in the set would have to be selected from many different examples and only the best one retained. Otherwise, it would just be a collection or, in technical terms, a "bunch".
Are you suggesting only expensive things can be curated?
You should see my sock drawer. Nothing haphazard in there. I guess I curated my socks.
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Medium format is anything between 24x36 and 4x5. Why is that so hard to understand? It's amazing what semantics can do to a person.
So you curate the overused words then?
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Yeah, I was trying to stay in the modern era, however one would like to define that.Well, more than a few that did 6x9. It was the standard small format for decades. Remember all those folders and box cameras?
24x36 was the miniature format, regarded much like micro-4/3rds nowadays by many photographers of the time. How the world has changed...
Well, more than a few that did 6x9. It was the standard small format for decades. Remember all those folders and box cameras?
24x36 was the miniature format, regarded much like micro-4/3rds nowadays by many photographers of the time. How the world has changed...
I don't know about all of this thinking that the M needs AF and EVF and all of the other things that don't play to the basic concept of the M system.
It just seems like a second M version that is more tech forward (what ever that means) would be destined to be a real loser concept, as it will not be competitive with other systems that actually have AF lenses (the M has MF lenses) and the M lenses don't really lend themselves to EVF manual focus.
A second M system like this would be set to fail from the start. It makes no sense and would be even more limited in market share as other cameras would kill a system as feeble as an M EVF and AF system. It would be doomed from the start. That is why it isn't ever going to happen.
Very few folks, other than internet arm chair camera designers, would even consider it. It would be a Rube Goldberg sort of contraption that would end up appealing to none.
The way forward is a more pure M that actually steps back toward the intent of the M system and reinforces these strengths. I think we are all going to all want the new M, if your thinking is along these lines.