mfogiel
Veteran
Yesterday afternoon, after a nervous day of work, I've decided to hit the street briefly before dinner, to relax taking some photos. What could be better, than trying my new "mint" Leica M4 bought from a fellow RFF member here in the classifieds !
So, I've opted for something special - grabbed the Ultra Wide Heliar 12/5.6 with its oversized orange filter, a light tripod, spirit level, Digisix, loaded a roll of Rollei Retro 100 and took the bus to the "center".
Actually here, almost everything is "the center" as the whole of Monaco is about one square mile...
I got out in Boulevard Des Moulins, a nice street filled with elegant shops, ending in Place des Moulins, from where you can take a lift down and get out almost in front of the beach.
I start looking through the cyclopic viewfinder, and looking for interesting set ups - not an easy task, as you have to fill the first plane with something startling, else the photos will turn out boring.
Here I find a giant Ficus tree with a massive and complicated trunk, there I see a curvy end of a beautiful handrail leading along an elegant passage, there a bonnet of a vintage sports car. Click, click, click... I open and close my tripod several times, and move on swiftly, as the light starts going down. Finally I arrive in front of that pasage half way to the square, which opens with a spectacular set of stairs leading some fifty meters higher, and bordered with nice old buildings. There is an open view at the end, and a very nice looking double hand rail in the middle, similar to this one, but several times longer:
So, I set up the camera, check the light, spirit level, and position myself half a meter from the beginning of the rail. The set up is spectacular, and the perspective quite dramatic, but the scene lacks something special... I lift my head from the viewfinder, and.... encounter a questioning face of a beautiful lady, standing in front of me, and evidently not wanting to disturb my shot, as she needs TO CLIMB THESE STAIRS !
She looks great, with a dark sun tan, an elegant , VERY SHORT dress, and a nice bag which looks like filled out with her beach apparel... I produce a broad smile, and invite her to go ahead...
As soon as she passes the camera, I start shooting: The hair sways to the side showing her neck, CLICK, as she makes the first stairs I notice she has really long and beautiful legs, CLICK, after another step, the wind LIFTS A BIT HER VERY SHORT DRESS !, CLICK, CLICK, she sways her bag slowly from one shoulder to another, CLICK, CLICK, she grabs briefly the hand rail and bends nicely, CLICK... Finally I stop shooting , as the figure quickly becomes too small in the frame, but I feel great, as I know I've grabbed great stuff !
After folding up and directing myself back home, I still have a few shots left, so I shoot some not very convincing frames just to finish the roll and develop it the next day. CLICK, 35th, CLICK, 36th, CLICK, 37th... I start getting nervous...
I did the usual "Leica" check at the beginning of the roll, by watching if the film was advancing with the first couple of shots, but I did not look at the rewind knob later... CLICK 38th !, CLICK 39th !!! Hold it, this can't be , where is the problem??? Is it that I broke the sprockets after the 36th frame without noticing?
I get home very nervous, put the camera into a black bag, and open the base plate. The film is behind the shutter, so I stert rewinding: one turn, second turn, FLIP, the film leader pops out...
It looks like the camera for some inexplicable reason did not advance the film after the first frames! I feel outraged... I keep repeating to myself: what a photo what a photo... I load the film again and start advancing, but as soon as the first frames eat up the slack, the winding lever sort of disengages and does not wind....grrrr I did not notice the problem, because it was my first roll with this M4, and I ascribed a somewhat gritty lever action to the "character" of the camera...
Here I am now, really angry at myself, because that photo opportunity was truly unique.
I thought also about the fellow RFF member, who sold me this camera as mint and fully functional, and I have mixed feelings, because if he knew about the problem, then he does not even deserve a kick in the butt, on the other hand if he did not know, he also does not deserve anything negative, so if I have to weigh human imperfection againt a beautiful M4, I choose the M4, and I am surely going to fix it and pass over the unlucky purchase, BUT WHO WILL GIVE ME BACK MY PHOTOS ?!
I went there again today with the Heliar fixed on an M7, but there was only a shaky couple of over 70 trotting down the stairs.... The Girl From Ipanema was long gone... and now, to get over this episode, I am going to put one of my favourite records "Getz and Gilberto" and listen as the swaying melody caresses my ears, and disappears as well...
P.S. Anybody has a clue as what could have happened? Unless this is some kind of a simple fix problem, I intend to send the camera to Solms tomorrow...
So, I've opted for something special - grabbed the Ultra Wide Heliar 12/5.6 with its oversized orange filter, a light tripod, spirit level, Digisix, loaded a roll of Rollei Retro 100 and took the bus to the "center".
Actually here, almost everything is "the center" as the whole of Monaco is about one square mile...
I got out in Boulevard Des Moulins, a nice street filled with elegant shops, ending in Place des Moulins, from where you can take a lift down and get out almost in front of the beach.
I start looking through the cyclopic viewfinder, and looking for interesting set ups - not an easy task, as you have to fill the first plane with something startling, else the photos will turn out boring.
Here I find a giant Ficus tree with a massive and complicated trunk, there I see a curvy end of a beautiful handrail leading along an elegant passage, there a bonnet of a vintage sports car. Click, click, click... I open and close my tripod several times, and move on swiftly, as the light starts going down. Finally I arrive in front of that pasage half way to the square, which opens with a spectacular set of stairs leading some fifty meters higher, and bordered with nice old buildings. There is an open view at the end, and a very nice looking double hand rail in the middle, similar to this one, but several times longer:

So, I set up the camera, check the light, spirit level, and position myself half a meter from the beginning of the rail. The set up is spectacular, and the perspective quite dramatic, but the scene lacks something special... I lift my head from the viewfinder, and.... encounter a questioning face of a beautiful lady, standing in front of me, and evidently not wanting to disturb my shot, as she needs TO CLIMB THESE STAIRS !
She looks great, with a dark sun tan, an elegant , VERY SHORT dress, and a nice bag which looks like filled out with her beach apparel... I produce a broad smile, and invite her to go ahead...
As soon as she passes the camera, I start shooting: The hair sways to the side showing her neck, CLICK, as she makes the first stairs I notice she has really long and beautiful legs, CLICK, after another step, the wind LIFTS A BIT HER VERY SHORT DRESS !, CLICK, CLICK, she sways her bag slowly from one shoulder to another, CLICK, CLICK, she grabs briefly the hand rail and bends nicely, CLICK... Finally I stop shooting , as the figure quickly becomes too small in the frame, but I feel great, as I know I've grabbed great stuff !
After folding up and directing myself back home, I still have a few shots left, so I shoot some not very convincing frames just to finish the roll and develop it the next day. CLICK, 35th, CLICK, 36th, CLICK, 37th... I start getting nervous...
I did the usual "Leica" check at the beginning of the roll, by watching if the film was advancing with the first couple of shots, but I did not look at the rewind knob later... CLICK 38th !, CLICK 39th !!! Hold it, this can't be , where is the problem??? Is it that I broke the sprockets after the 36th frame without noticing?
I get home very nervous, put the camera into a black bag, and open the base plate. The film is behind the shutter, so I stert rewinding: one turn, second turn, FLIP, the film leader pops out...
It looks like the camera for some inexplicable reason did not advance the film after the first frames! I feel outraged... I keep repeating to myself: what a photo what a photo... I load the film again and start advancing, but as soon as the first frames eat up the slack, the winding lever sort of disengages and does not wind....grrrr I did not notice the problem, because it was my first roll with this M4, and I ascribed a somewhat gritty lever action to the "character" of the camera...
Here I am now, really angry at myself, because that photo opportunity was truly unique.
I thought also about the fellow RFF member, who sold me this camera as mint and fully functional, and I have mixed feelings, because if he knew about the problem, then he does not even deserve a kick in the butt, on the other hand if he did not know, he also does not deserve anything negative, so if I have to weigh human imperfection againt a beautiful M4, I choose the M4, and I am surely going to fix it and pass over the unlucky purchase, BUT WHO WILL GIVE ME BACK MY PHOTOS ?!
I went there again today with the Heliar fixed on an M7, but there was only a shaky couple of over 70 trotting down the stairs.... The Girl From Ipanema was long gone... and now, to get over this episode, I am going to put one of my favourite records "Getz and Gilberto" and listen as the swaying melody caresses my ears, and disappears as well...
P.S. Anybody has a clue as what could have happened? Unless this is some kind of a simple fix problem, I intend to send the camera to Solms tomorrow...