stormbytes
Member
Of all the novelty in transitioning to RF, metering has for me, held the greatest challenge. With traditional SLRs, the task is straight-foward: Place the spot on the shadows or, in the case of manual Nikon SLRs (CW), the outer-crown of the split-image circle, close down a stop or two and fire away! My new M6-Ttl has Leica-M's lens-dependent metering circle which, with my 50mm summicron, makes for a huge metering area. I'm finding it hard to 'find' something big enough to fill it, in SLR-style metering.
I'm exclusively a B/W shooter; meticulous about testing my film and development to optimize for both scanning and traditional darkroom printing. I've heard that Leica's light meter is "pretty good" for scenes containing a balance of dark and light subject matter. Should I abandon my tried-and-true method of metering shadows and put my faith in Leica's one-size-fits-all metering philosophy? Or is there more to this picture I'm not seeing?
I'm exclusively a B/W shooter; meticulous about testing my film and development to optimize for both scanning and traditional darkroom printing. I've heard that Leica's light meter is "pretty good" for scenes containing a balance of dark and light subject matter. Should I abandon my tried-and-true method of metering shadows and put my faith in Leica's one-size-fits-all metering philosophy? Or is there more to this picture I'm not seeing?