Tim Gray
Well-known
I think the main reason why this bothers many is because Leica is charging so much for a full-frame sensor which really isn't much of an improvement from the M8 in terms of ISO performance and definately waayy behind compared to recent CMOS FF sensors.
An M9 at $7k is cheaper than an M8.x at $5k PLUS new lenses to adapt for the crop PLUS UV/IR filters. However, it's still damn expensive.
Maybe I've been shooting film too long, but the results at 1250 and 2500 look perfectly usable to me. Sure it's not in the class of the D3, but I don't care. I can use my M and LTM lenses and keep the package small and I can still shoot an RF. If I had the money, I'd think about getting one.
All this hyperbole about M's being all about available light and shooting in the dark, etc., makes it sound like that's all they are they for. They aren't. Digital took that from the M a long time ago, especially if you want to shoot color. And I shoot film primarily at 400 and 1600, so it's not like I'm one of these ISO 50 guys.
We all use RF's for different reasons, and for the most part, it looks like the M9 trumps the film cameras in almost all departments. It uses the same lenses and provides the same field of views. It lets you change ISO on the fly. The quantitative quality at any of those ISOs is pretty much better than what you'd get with film - minus the film look, but sharper, less noisy, able to take bigger enlargements, etc. It lets you shoot faster and longer than on film. And on and on. And it's not THAT much more expensive than a new film M in the big picture. For now, the M9 is basically the camera we all wanted since the advent of digital. It just has lost some of its shine since D3/D700/5D, etc have come out.
For the record, I still shoot film. Though I'd love an M9 (someday).