John,
Jon Cone Studios has a Hell scanner. This is the real deal with a photo multiplier tube for no digital artifact. Basically pure analog.
Mark Cuban said, "Go big or don't go."
I have resisted scanning, but when I do why not go all the way.
I remember seeing that exhibit at the Brooklyn Museum on War Photography. Some of those iconic shots that were analog image capture were somehow seamlessly displayed as digital prints. I suspect the prints were scanned. No sign or any sign of digital artifact, only analog smoothness.
In the EBAY ads it seems that the weight of a Hell Scanner requires a slab. The scanner needs the mass and a firm foundation free of vibration. Also know this is an analog scanner.
Also it requires some skill to operate, and know I am mighty stubborn.
Next would be to digitally manipulate the files to create/print literally a perfect negative to make a wet contact print to print limited editions.
Amazing to know that this technology is within reach. It was about 6 years ago when I went into Piezography and saw the digital negative portfolio I borrowed from Jon Cone Studios that I recognized the future.
When I saw Salgado's Genesis show at ICP I knew I was not that far behind.
Presently I'm very happy with the phasing into my body of work. I have an archive that somehow over time already has become historical. I have work prints, and a good part of a Book of Proofs, but the cost of printing the limited editions (paper, ink, and time) is at the moment out of reach.
It was sobering to see the $1408.00 price on the 700 ml bottle inkset of just 8 inks. This would allow me to fill my carts about twice. Then there is the paper... Pretty much to get serious I need about $10K in paper and ink, but already I have done a lot of the work in proofing and in the records required to organize the next big move. It is so fast and easy to make copies of things I proofed.
Meanwhile as a result of the lock down and paid leave I have an impressive amount of work done. Also know that my printing skills got even better.
Those 4 shots of Orlando in Harlem the day of the Trayvor Marten verdict with your hand pointing at Orlando in one shot is such a powerful series. I have it all worked out to where all 4 images will be printed four 6x9 images on 17x36 sheet. Of course this involves huge borders for matting and framing.
A lot is going on in those 4 shots. Funny thing is that they are best displayed in the order shot and that tense day I only took only 4 shots of Orlando.
Cal