sem
Registered User
PHAROLDO
Member
contax 645, planar 80mm, provia 400x

hausen
Well-known
A film set in front of my Apartment block last week. Perfect setup for Rolleiflex. The crew loved the 'flex and let me on the set. Snow on ground is not real though, never cold enough to snow in Auckland.

Lorne Street Movie set by BigHausen, on Flickr

Lorne Street Movie set by BigHausen, on Flickr

Lorne Street Movie set by BigHausen, on Flickr

Lorne Street Movie set by BigHausen, on Flickr

Lorne Street Movie set by BigHausen, on Flickr

Lorne Street Movie set by BigHausen, on Flickr
wakarimasen
Well-known
Posted elsewhere (apologies) but I really like the sky. Bronica ETRSi and Reala 400

ThomasM
Well-known

Hasselblad 500cm 50/4
Penzes
Well-known

Thomas [6X9] by Istvan Penzes, on Flickr
Polaroid 600SE
Mamiya 127mm 4.7
Fuji Neopan 400
Kodak T-Max developer
Nikon Coolscan 9000
divewizard
perspicaz
Play me, I'm Yours - The Piano of Death
Mamiya 6, 50mm F/4, TMAX 100, Hoya HMC O(G), NCPS
©2012 Chris Grossman
Mamiya 6, 50mm F/4, TMAX 100, Hoya HMC O(G), NCPS

©2012 Chris Grossman
stausauser
Member
Hello Brian,
Tanks a lot!
this was a rather outdated T-MAX 400, developed in Rodinal 1+50.
Tanks a lot!
this was a rather outdated T-MAX 400, developed in Rodinal 1+50.
gshybrid
Well-known
rolleiflex:


Ronald_H
Don't call me Ron
Eye-popping Kodak Ektar colors on this one, although I find it fickle stuff. Get your exposure a bit off and the colors get real weird. This kind of saturation is also not really my cup of tea, but for this shot i think it works. Hasselblad 500 C/M with Zeiss Planar 80mm f2.8.

Evelien - cello by Ronald_H, on Flickr

Evelien - cello by Ronald_H, on Flickr
Penzes
Well-known

Dino education by Istvan Penzes, on Flickr
Polaroid 600SE
Mamiya 127mm 4.7
Fuji Neopan 400
Kodak T-Max developer
Nikon Coolscan 9000
brian steinberger
Established
Hello Brian,
Tanks a lot!
this was a rather outdated T-MAX 400, developed in Rodinal 1+50.
Fantastic, as I have actually just started playing with this exact combination!
RangerFinder
Member
What an amazing thread! I've been following it since I joined and now I finally have some scans to contribute. Went on tour with my friends band to help out and took some photos while at it...
These are the lowest res scans from the lab on various films shot and developed at box speed. I've only been shooting since Feb. so I'm still trying all the different films I can to see what I like and there's probably some work to be done but I'm still really excited so far!
Pentax 67ii & 105 2.4 on FP4+
Pentax 67ii & 105 2.4 on FP4+
Pentax 67ii & 105 2.4 on XP2 400 Super
Pentax 67ii & 105 2.4 on XP2 400 Super
These are the lowest res scans from the lab on various films shot and developed at box speed. I've only been shooting since Feb. so I'm still trying all the different films I can to see what I like and there's probably some work to be done but I'm still really excited so far!
Pentax 67ii & 105 2.4 on FP4+

Pentax 67ii & 105 2.4 on FP4+

Pentax 67ii & 105 2.4 on XP2 400 Super

Pentax 67ii & 105 2.4 on XP2 400 Super

lrochfort
Well-known
64 pages, wow, somebody write to all the MF film manufactuers!
I just bought my only 35mm camera and whilst the portability is great, you just can't beat MF. It's not just the detail it's the silky smooth tone changes, the shallow DoF. I love it.
I have a Hasselblad 500cm with the old 80mm Zeiss Planar C, it's got a vintage soft aspect to it, even if it can be a nightmare to focus wide open!
I'd love to get a MF RF, either a folder like the Ensign Autorange 1620 or Super Ikonta or if I was really going crazy I'd get a Mamiya 6.
I haven't got round to scanning yet, but here are some lo-res lab scans from the Planar:
Portra 400NC
Fuji something or other
Tri-X - what else?
Portra NC of some kind
I just bought my only 35mm camera and whilst the portability is great, you just can't beat MF. It's not just the detail it's the silky smooth tone changes, the shallow DoF. I love it.
I have a Hasselblad 500cm with the old 80mm Zeiss Planar C, it's got a vintage soft aspect to it, even if it can be a nightmare to focus wide open!
I'd love to get a MF RF, either a folder like the Ensign Autorange 1620 or Super Ikonta or if I was really going crazy I'd get a Mamiya 6.
I haven't got round to scanning yet, but here are some lo-res lab scans from the Planar:

Portra 400NC

Fuji something or other

Tri-X - what else?

Portra NC of some kind
jbielikowski
Jan Bielikowski





Mamiya 6, Fuji PRO160S
kmallick
Well-known
Mamiya 7 II + 50mm

sem
Registered User
RangerFinder
Member
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Mamiya 6, Fuji PRO160S
Just beautiful! The other roadie with the band I toured with was a good friend of mine who shot 34 rolls of 120/220 on a Mamiya 6. I can't wait to see how it turns out but he won't even begin to start developing for another 2 weeks, the suspense is killing me!
ruby.monkey
Veteran

RZ67_50_HP5_Scan-120812-0017 by ruby.monkey, on Flickr

RZ67_50_HP5_Scan-120812-0019 by ruby.monkey, on Flickr

RZ67_50_HP5_Scan-120812-0014 by ruby.monkey, on Flickr
kmallick
Well-known
I like it very much! Which film?
Thanks for the kind words. Its Velvia 50, pp'd in Silver Efex 2.
I much rather prefer the original 6x7 trannie. I get really disenchanted when I scan a MF trannie. I just happened to like the B&W conversion.
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