Medium Format ... long may it live!

[gcap]

Mamiya 645DF+, 150mm, Phase One P65+ back:

Aliki Sunset

Mamiya 645 DF+ 28mm, P1 IQ3 100:

Crete

 

[jaredangle]

Nilkanth Varni, the Akshardham Mahamandir, and various carvings can be see at the BAPS Swaminarayan Akshardham temple complex in Robbinsville, NJ, USA.

Mamiya RZ67
110mm f/2.8
Kodak Portra 160 / Fuji NPH 400
Noritsu HS-1800

 

[gcap]

Phase One XF IQ3 100, Mamiya 150 & 300mm APO.

Peloponnese


Aliki

 

[David Murphy]

Grand Canyon, 12-2024, Rolleiflex 2.8C, Fujichrome RDP 50

 

[gcap]

Phase One XF IQ3 100, Mamiya 150mm & 200mm APO:

Peloponnese, Kalogria


Peloponnese

 

[gcap]

Fuji GX680III, 300mm & 115mm, IQ3 100. Lenses Tilted down:

Peloponnese


Peloponnese

 

[gcap]

Phase One XF IQ3 100, 120mm & Mamiya 28mm:

Peloponnese


Peloponnese

Phase One XF IQ3 100, SK 120mm T/S. Lens tilted down:

Peloponnese, Kalogria

 

[boojum]

Just for the shading, the wonderful gradual shift from white to gray on the hull.

B0000460 by West Phalia, on Flickr​

 

[boojum]

A spring Rhodie across the river at Fort Columbia. The annual spring display is always nice whether shot on a full frame, APS-C, APS-H or medium format.

B0001070 by West Phalia, on Flickr​

 

[filmtwit]

 

[boojum]

More Rhodies. Reds seem hard to get with accuracy and detail. This lens seemed to work even with a very shallow depth of field.

B0001786 by West Phalia, on Flickr​

 

[boojum]

Beautiful hand cut lugs on an old unrestored Jack Taylor. "It's only original once."

B0002165 by West Phalia, on Flickr​

 

[gcap]

Phase One XF IQ3 100, 120mm & Mamiya 200mm APO:

Peloponnese


Elefsis

 

[boojum]

I just love this photo of The Oregon Responder for its subtle shading and color gradiations. Even in the blinding white objects can be perceived. Love this sensor.

B0000029 by West Phalia, on Flickr​

 

[sem]

Rollei SL66 80 2,8 vs Hassi X1D2 38 2,5 Ilford HP5@200 Rodinal Stand
more here
best sem

 

[Rayt]

I spent a year or so traveling with an SWC as a one camera one lens experiment. The major drawback is the slow f4.5 lens effectively f6.3 with a yellow filter. Also you need to get close to the subject as close as 5 feet.

 

[Rayt]

And if you hold the SWC perfectly level it’s hard to tell if it was from a normal or wide lens. Hasselblad SWC/M TMY

 

[kxl]

Fuji GFX100 II + 500mm

 

[gcap]

Fuji GX680III, 80mm & 150mm, IQ3 100. Lenses Tilted down:

Peloponnese


Aliki

 

[boojum]

Joey, lead guitar for The Quirks. These guys are not young but they have the chops.

B0002370 by West Phalia, on Flickr​