Minolta 35mm lens

JeremyLangford

JeremyLangford

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I want to buy a Rokkor 35mm lens to complete my Minolta SRT-101 lens collection (for now). I liked the idea of a faster Rokkor 35mm f/1.8, but they all seem to look much bigger and longer than the Rokkor 35mm f/2.8s, which would hurt me a lot since I don't own a Rangefinder, and try street photography with my SRT-101.

Is there one lens that most people see as the sharpest Rokkor 35mm? What do you guys reccomend?

Here is own I found on ebay.

http://cgi.ebay.com/Minolta-35mm-f-2-8-MC-W-ROKKOR-HG-Lens-Excellent_W0QQitemZ190184496440QQihZ009QQcategoryZ48554QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
 
I once owned a vintage Minolta 35/2.8 for MD and was very favorably impressed with its build quality although I never used it. I have little doubt it is a decent performer however (as most Rokkors are).


JeremyLangford said:
I want to buy a Rokkor 35mm lens to complete my Minolta SRT-101 lens collection (for now). I liked the idea of a faster Rokkor 35mm f/1.8, but they all seem to look much bigger and longer than the Rokkor 35mm f/2.8s, which would hurt me a lot since I don't own a Rangefinder, and try street photography with my SRT-101.

Is there one lens that most people see as the sharpest Rokkor 35mm? What do you guys reccomend?

Here is own I found on ebay.

http://cgi.ebay.com/Minolta-35mm-f-2-8-MC-W-ROKKOR-HG-Lens-Excellent_W0QQitemZ190184496440QQihZ009QQcategoryZ48554QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
Click to expand...
 
Jeremy -- I have both the Rokkor MD 35/1.8 and the Rokkor MD 35/2.8. I hardly use the former. It is a big lens, and for landscapes (my principal use for the 35mm focal length) the f2.8 is better, IMO. I think the 35/2.8 MD Rokkor is a terrific lens. Here's a sample taken w/ that lens. Using a tripod, the photo resulted in a print that enlarged very well to 11 x 14. With this lens and the 50/1.7, you could go a long way in a Minolta SLR kit.

2127805769_3d517ace06.jpg
 
I owned an MC Rokkor 35/2.8 for a few years but I never grew to like it. I used that lens almost exclusively for landscape & outdoor photography. To my eye, the color reproduction -- especially in blues and greens -- was flat and cold. However, the lens was pretty sharp. I ended up selling it.

Very cool that you are shooting street with the SRT-101 & 50/1.7. That is the same kit that I started with, and I used it for everything. I eventually moved on to some of the lighter X-series Minolta bodies (the acute-matte focus screens make a BIG difference) and rangefinders but I never sold my MD 50/1.7. That lens kicks butt, and it is my favorite photographic lens of any kind. I still use the 50/1.7 today with the "lowly" XG-A body and an MD 28/2.8 and a Rokkor-X 45/2.0 .

If you like wides I have heard many people praise the MC and MD versions of the 24/2.8.
 
Jeremy,

I have the MC 35mm f1.8 and MC 35 2.8 Rokkors. I prefer the 1.8, although it is big, and fast! I prefer to have the speed.

But if you need a compact lens, go for the 2.8. But get the MC version, snd the oriiginal Minolta Hood :)
 
cbass said:
I owned an MC Rokkor 35/2.8 for a few years but I never grew to like it. I used that lens almost exclusively for landscape & outdoor photography. To my eye, the color reproduction -- especially in blues and greens -- was flat and cold. However, the lens was pretty sharp. I ended up selling it.

Very cool that you are shooting street with the SRT-101 & 50/1.7. That is the same kit that I started with, and I used it for everything. I eventually moved on to some of the lighter X-series Minolta bodies (the acute-matte focus screens make a BIG difference) and rangefinders but I never sold my MD 50/1.7. That lens kicks butt, and it is my favorite photographic lens of any kind. I still use the 50/1.7 today with the "lowly" XG-A body and an MD 28/2.8 and a Rokkor-X 45/2.0 .

If you like wides I have heard many people praise the MC and MD versions of the 24/2.8.
Click to expand...

Yea. Right now I own a Rokkor MD 50/1.7, a MC 16/2.8.

I have been wondering about my focusing screen. My dad owns a Minolta XG-7, and it seems like it is a lot easier to get the focus dead on. Would it be hard for someone to switch out a focusing screen?
 
Jeremy, I was given a gift of a lens from a fellow RFFer on another thread. I'd like to to the same for you. PM me with your address. I have a nice 35/2.8 Rokkor I used to use with my SRT-201 I'll give you. Merry Christmas!
 
I was hoping that one of these 35mm's would be known to be the best out of all the Minolta 35mm's (such as the MD 50/1.7 compared to other 50mm's.
 
My dad owns a Minolta XG-7 said:
Probably easier just to buy a second body with an acute-matte screen. I think screens can be switched in some Minolta X-series bodies but I'm not sure which ones.

That MC 16mm lens must be pretty fun to work with. I have a 15mm in LTM mount that I like to use from time to time. Ultra-wides are fun :)

Good looking out on the lens offer...you'll have some karma to spare in the new year!
Click to expand...
 
The SRT's have really dim viewfinders compared to newer cameras. Remember that the SRT is 1960's era technology. I have an SRT-101, an early one, and its screen is dimmer than my OM-1n from the late 70's, and the OM-1 is dimmer than my OM-4T with Olympus's 2-13 (a brighter newer screen that was sold as an accessory).
 
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