leicashot
Well-known
Hey Dave, I was concerned about the flatness too but soon saw how easily it is to bring back contrast where needed.
In terms of high contrast lighting situations, all you need to do is underexpose a little further than maybe you would with color. This is an advantage because you retain more dynamic range, and what you thought would be black and dark, is an are where information is very easy to bring back. Let me show you an example.
original
edited
100% zoom on edited
This took me 20 seconds to edit. i'm sure with further processing it can be improved but just showing how far you can push the Monochrom files if needed.
In terms of comparing jpegs from M9, I never used the jpegs cause they were horrible. The Monochrom jpegs are surprisingly excellent.
In terms of high contrast lighting situations, all you need to do is underexpose a little further than maybe you would with color. This is an advantage because you retain more dynamic range, and what you thought would be black and dark, is an are where information is very easy to bring back. Let me show you an example.
original

edited

100% zoom on edited

This took me 20 seconds to edit. i'm sure with further processing it can be improved but just showing how far you can push the Monochrom files if needed.
In terms of comparing jpegs from M9, I never used the jpegs cause they were horrible. The Monochrom jpegs are surprisingly excellent.
Kristian,
Regarding my lengthy post of a few hours ago (posted on the previous page this thread), only very high contrast lighting situations are somewhat in question when shooting with the MM, even if initially the written DNG's out of the camera are "flat" This is the only real area of concern on my part. Aside from that, each image you continue to post, reinforce the lovely nature of this camera's images. I love this last posted image of yours...even though its straight out of the camera, I can already see the richness in tones, especially the lush blacks.
I too can understand the passion in using film, having done so for more years than I can to recall and although some very valid arguments can and will be made with regards to how well this camera emulates that medium, I can only say it has for the most part convinced me of its potential.
Oh by the way Kristian, when shooting with the M9, I've always converted a DNG to B&W and never worked with its jpeg B&W option. Just curious, in oyur opinion, how does the B&W M9 jpeg llook and is it simply a simple conversion algorithum or was some thought put into it?
Dave (D&A)