I have decided!
I have decided!
Thank you all for helping me to decide!
I'm going to dump all my digital cameras, except for my Panasonic GF1, which I'll later trade in for either the upcoming GF "Pro" or the NEX-7, whichever is more compelling.
In what follows, I'm thinking out loud, so please understand, these are not complete thoughts! 🙄
The conclusion that I've come to is that all digital cameras are merely a means to an end, and I've previously owned a lot of them: 10D, 20D, 1Dmk3, 5dMk2, G1, GF1, M8.2, etc... they are all tools to achieve the "end" of getting "the shot" and as a platform to produce a raw file for further artistic manipulation.
As an amateur photographer I've also tried lots of different "types" of photography: Landscape, sports, wildlife, architecture, street, event, travel, portraiture, performance, music, etc.... and after having "sampled" all these genre's, the kind of photography that I enjoy most are 1) Travel and 2) Street candid.
For me, the obvious right "tool" for travel photography is a small and light - but high quality - digital camera. My trips are not exclusively photo safaris, and I don't want to ignore my spouse in order to get the ultimate shot of some spectacle. The gear has to be light, unobtrusive, and totally forgotten when it is hanging on my hip and we're enjoying our time together.
For street photography, I see the gestalt as that of the flaneur - being both observer and participant - and the process is as important as the final result. Correction: as an amateur who is not trying to compete in a contest or create a digitally manipulated work of art, the process is more important - I'll trade some image quality for it - although with my medium format stuff, I'm not giving up quality either but trading less volume for that quality.
I've shot both digital and film in the crowd and the feel or process of each is quite different for me. With digital I find my shooting style to be more aggressive, looking for "the shot" and taking lots of them on the way to "getting results" - everything about the situation would become a means to an end - getting "the shot".
With my film cameras, on the other hand, I'm more selective and thus observant in a different way - I'll "frame" a lot of shots, but I won't trip the shutter unless something about the evolving scene brings it out of me - there is less distinction between "means" and "ends". Just being present and enjoying the energy of the street becomes an "end" as well as getting some good shots.
I'll also add that there's something about a film camera with it's more manual operation that puts me into a different state of mind - I can't describe it yet, but in a word - it's a more joyful process for me.
So film it is. Guess I'll use Costo's economical develop and scan service until I can't stand their (low dynamic range 2000x3000) scans any longer and then seek a different scanning and workflow solution at that time. For my medium format stuff I'll keep using Walmart to develop and then scan them myself on my 9000f. For my purposes, Ektar 100 on 6x6 is just as good as my soon to be sold 5DmkII - I just can't push and pull it as much in post as I can with a raw file.
Thanks everyone!
Joe
PS.
On the Romanticism of Film Vs. the Scientific Superiority of Digital... I'll tackle that one some other time 😎