B
BillRogers
Guest
Let me give some brief background. I began shooting in the late 1950s while I was in grade school. My first camera was an Argus C3. Along the way, I owned many film cameras, including a Canon AE-1 SLR and a Canonet QL17 rangefinder.
I was always disappointed with the results I got from film, however, and gradually my photography tapered off.
Then came digital photography, and I fell in love all over again. Finally I was able to achieve the results I knew were possible. At present, I have a Nikon D200 and a Nikon D70, and various Nikkor lenses.
But, several months ago, I gave in to my nostalgic urges, and purchased three 35mm RF cameras on eBay - a Zorki C, a Zorki 4K, and an Argus C3. I had hoped that the Zorki 4K would be a usable camera, but I had conveniently forgotten all the hassles associated with film photography.
My 35mm rangefinder misadventure has confirmed my earlier opinion. First of all, any SLR, film or digital, is inherently superior to a rangefinder camera. The ability to look through the lens is a huge advantage. Also, the rangefinder focusing mechanism is a Rube Goldberg setup that depends on precision machining to work properly. Let's face it; back when ordinary people could not afford a SLR, the rangefinder camera was king. But that was fifty years ago.
Second, digital is superior to film. I had forgotten all the hassles associated with film; the cost, the inconvenience, and the delay. Today, everything converts to digital sooner or later, so add the hassle and expense of scanning.
From an engineering standpoint, a digital SLR is a more elegant image capturing machine than a film rangefinder camera. Anytime a process involves conversion, degredation takes place. A RF camera converts the fore-and-aft position of the lens to a split-image mechanism, and a 35mm camera requires that the image on the negative must be converted to digital. A digital SLR removes these intermediate steps, bringing the photographer closer to the subject, and eliminating two sources of degradation.
My three 35mm rangefinder cameras are in display cases in my office. They are beautiful antiques, reminders of a bygone age of photography.
Today, most of the people on RFF prefer shooting with 35mm RF cameras. That's fine; some people enjoy driving old cars. Just don't try to blow smoke up my butt by telling me that a 35mm rangefinder camera is superior to a DLSR in some ways. It isn't, just like a 1957 Chevy is inferior to a 2007 Chevy in every way.
I was always disappointed with the results I got from film, however, and gradually my photography tapered off.
Then came digital photography, and I fell in love all over again. Finally I was able to achieve the results I knew were possible. At present, I have a Nikon D200 and a Nikon D70, and various Nikkor lenses.
But, several months ago, I gave in to my nostalgic urges, and purchased three 35mm RF cameras on eBay - a Zorki C, a Zorki 4K, and an Argus C3. I had hoped that the Zorki 4K would be a usable camera, but I had conveniently forgotten all the hassles associated with film photography.
My 35mm rangefinder misadventure has confirmed my earlier opinion. First of all, any SLR, film or digital, is inherently superior to a rangefinder camera. The ability to look through the lens is a huge advantage. Also, the rangefinder focusing mechanism is a Rube Goldberg setup that depends on precision machining to work properly. Let's face it; back when ordinary people could not afford a SLR, the rangefinder camera was king. But that was fifty years ago.
Second, digital is superior to film. I had forgotten all the hassles associated with film; the cost, the inconvenience, and the delay. Today, everything converts to digital sooner or later, so add the hassle and expense of scanning.
From an engineering standpoint, a digital SLR is a more elegant image capturing machine than a film rangefinder camera. Anytime a process involves conversion, degredation takes place. A RF camera converts the fore-and-aft position of the lens to a split-image mechanism, and a 35mm camera requires that the image on the negative must be converted to digital. A digital SLR removes these intermediate steps, bringing the photographer closer to the subject, and eliminating two sources of degradation.
My three 35mm rangefinder cameras are in display cases in my office. They are beautiful antiques, reminders of a bygone age of photography.
Today, most of the people on RFF prefer shooting with 35mm RF cameras. That's fine; some people enjoy driving old cars. Just don't try to blow smoke up my butt by telling me that a 35mm rangefinder camera is superior to a DLSR in some ways. It isn't, just like a 1957 Chevy is inferior to a 2007 Chevy in every way.