eckhardf
Established
I received a black paint LLL 35mm lens, number 500134 a few days ago. I had paid for it somewhere back in September as well.
It's got purple lens coatings and no VLC engraving - perhaps it doesn't have the flint glass elements? No bother - it is what it is.
It's a beautifully made lens; smooth, dense, precise, tiny. It feels old worldly and hand-made instead of giving a "mass produced by machine" impression I feel in other contemporary lenses. I can literally feel the care and pride that has obviously gone into it's manufacture.
I've taken about 100 street photo's so far, using it on my M-D 262 with the usual 2 or 3 keepers. I didn't do any particular testing - just used it as I would any other of my lenses.
Technically it appears distortion free with no chromatic aberration, medium contrast, plenty of sharpness and resolution. It's got lovely highlight roll-off - probably related to the lower contrast single coatings used in it's design.
Shooting around f4, focussed at 2.5 meters (8 feet) gives great subject isolation from the background. Out of focus areas are beautifully rendered in a gentle manner with no harshness.
Tonality in Black and White seems especially good and really seems to give life to skin tones.
I'm still working out colour balancing in Exposure X5 (Previously Lightroom Stand-alone). I'm guessing the lens coatings are significantly different from my other lenses (mostly CV glass) so I'm adjusting sliders in different ways than I'm used to.
I've fitted a Shapeways lens hood: https://www.shapeways.com/product/S...m-canon-ltm?optionId=100067268&li=marketplace which I love - it's super compact with virtually no finder blockage.
Overall I cannot say how it performs in it's role as a replica of the original 8-element Summicron. It is however; a beautifully made lens with lovely optical rendering in it's own right.
Massive thanks to Mr Zhou and Chinese initiative for bringing this lens into existence. And equally massive thanks to Kevin Xu who has worked tirelessly to bring this lens into my (and other RFF members) hands.
RESPECT!
eck.
It's got purple lens coatings and no VLC engraving - perhaps it doesn't have the flint glass elements? No bother - it is what it is.
It's a beautifully made lens; smooth, dense, precise, tiny. It feels old worldly and hand-made instead of giving a "mass produced by machine" impression I feel in other contemporary lenses. I can literally feel the care and pride that has obviously gone into it's manufacture.
I've taken about 100 street photo's so far, using it on my M-D 262 with the usual 2 or 3 keepers. I didn't do any particular testing - just used it as I would any other of my lenses.
Technically it appears distortion free with no chromatic aberration, medium contrast, plenty of sharpness and resolution. It's got lovely highlight roll-off - probably related to the lower contrast single coatings used in it's design.
Shooting around f4, focussed at 2.5 meters (8 feet) gives great subject isolation from the background. Out of focus areas are beautifully rendered in a gentle manner with no harshness.
Tonality in Black and White seems especially good and really seems to give life to skin tones.
I'm still working out colour balancing in Exposure X5 (Previously Lightroom Stand-alone). I'm guessing the lens coatings are significantly different from my other lenses (mostly CV glass) so I'm adjusting sliders in different ways than I'm used to.
I've fitted a Shapeways lens hood: https://www.shapeways.com/product/S...m-canon-ltm?optionId=100067268&li=marketplace which I love - it's super compact with virtually no finder blockage.
Overall I cannot say how it performs in it's role as a replica of the original 8-element Summicron. It is however; a beautifully made lens with lovely optical rendering in it's own right.
Massive thanks to Mr Zhou and Chinese initiative for bringing this lens into existence. And equally massive thanks to Kevin Xu who has worked tirelessly to bring this lens into my (and other RFF members) hands.
RESPECT!
eck.