Next generation of Leica techs

We should attempt to get someone skilled with a video camera to ask a repair person to do a youtube series, or dvd for DIY repairs for simple issues. If they price it right, or we get a bunch of rff members to fund the production, mabey we can set outselfs up to repair our own.
 
We should attempt to get someone skilled with a video camera to ask a repair person to do a youtube series, or dvd for DIY repairs for simple issues. If they price it right, or we get a bunch of rff members to fund the production, mabey we can set outselfs up to repair our own.

With all the due respect I do not think that is going to work. I do believe that to repair (not just swat a non working part) requires skill and experience with this kind of job AND with given type of camera (not only Leica, but also Rolleiflex, all those MF SLRs, etc.). it is not only repair of broken parts but also calibration of shutter, collimation of lenses, calibration of the rangefinder, etc ...

On top of the experienced person you also need an access to camera parts. Until a camera is in production or still officially supported by the producer (Leica is a good example here) there will be parts available. But as soon as there are no parts and not enough broken cameras to be used as a source - to produce the replacement will mostly not be feasible.

So - in a long run (I mean something like 50 years) only those cameras will remain feasibly repairable if they remain either in production or still supported by the producer (or simple enough to be repaired with 3rd party stuff).

My guess is, than in 50 years it will be easier that to get M3 repaired than a Rolleiflex 2.8F, Pentax 6x7 or Nikon FM2.
 
when I was looking for a replacement rewind shaft screw for my early M3, Don Goldberg sent me pictures of the various models of screws that were used in Leica M3's and M2's (four different types).

All the parts he showed me were new and unused. I gather that somewhere in the world these parts are either made or stacked up in large quantities.

So far I have never heard of a Leica being unrepairable because of lack of parts. Not like the Minolta CLE, where a broken circuit board equals a nice paperweight. Or the Hexar RF.
 
Speaking as a college professor, your comment does not surprise me at all. Sorry about this, but the powers that be are sort of lying when they tell you that our society values education. I see little evidence of it.

(I do hope the education meant something to you, if not to prospective employers.)

What I do see is that skill is always valuable, at least to a certain population (like owners of old Leicas). The backlogs that Sherry and other skilled techs have prove that there is a viable livelihood to be made at camera repair, at least for quite a while.

But you do need to build a reputation, and the best way to get that is to apprentice to someone everyone trusts.

I wonder how many of the pros would take the idea seriously? They should.

Randy

After years of slogging, it was only after I acquired an acute business skill that my fortunes improved. College degrees are about education; however, one needs to back it up with an applicable skill set.
 
Could it be that the M3 is totally mechanical with provisions for adjusting many of the internal mechanical functions plus many mechanical parts to clean and lubricate. The OM-1 on the other hand has an electronic shutter that either pretty much works or not. You are comparing a camera designed for expert assembly and adjustment with mass production "attach the components" design.

Consider the epitome of low maintenance cameras to be the Contax G1 and G2. No mechanical parts to clean, nothing that can be lubricated and total non-adjustable as all functions (including film advance & focusing) are piezoelectric motors. There is no such thing as a CLA. Your M3 is the opposite end of that spectrum with your OM1 somewhere in the middle.

No, it couldn't be. The OM-1 is a totally mechanical camera but for the metering system.
The idea that the Leica is more adjustable is something a tech might say to rationalize the additional cost. It is actually one of the simplest cameras to work on. The internals seem to be beefier and more rugged and easier to access for cleaning. There is no mirror or mirror box linkage to deal with.
The shutter is released with a direct shaft to the release link, not having to have the mirror actually trip the shutter.
For access to the shutter assembly(and everything else in the camera the top,bottom covers and body shell are removed and everything is accessible.
For normal service and replacement of MOST parts, the only special tool are the various flexiclamps to fit the lock rings used on the top cover. Depending where they're bought they run $70-$150. for a complete set.
There are many tools used by the factory for alignment that are typically not needed for most service

The Contax G cameras do not live by electricity alone. Those motors connect to something, not air. Electronic components are replaced as units,are adjustable and tend not to drift as mechanicals can. They're different critters but still have weak points.
 
That's the beauty of the Leica design (and perhaps their evolution). There isn't a lot to adjust - it just goes together pretty much in a working fashion, and it has provision for the final adjustment, if needed (e.g. shutter tension, RF alignment).

You don't need to do a whole bunch of iterative assembly and disassembly to get something working correctly.

Having access to parts is essential, if you have to deal with worn or damaged parts. But that isn't surprising, and no different than with any other brand or item (think MGB cars).

Self taught is possible. Perhaps a longer path than "factory trained". But doable.

Only proviso - the modern electronic cameras pretty much invalidate what I've said. So for the M7, M8 and M9, I'd only trust the mother ship.

...Vick
 
One of my old camera mechanics (long dead, alas) used to charge less to work on Leicas because they were easier and more pleasant to work on. I wonder if extra charges for Leicas nowadays may be because too few Leica owners trust the repairers and too many think they know more than the repairers do (e.g. demanding a 'CLA' every time the camera changes hands). In other words, they're not charging extra to work on Leicas: they're charging extra for dealing with neurotic Leica owners.

Cheers,

R.
 
Posted here before, but relevant again: an article on self-taught Leica repairman Youxin Ye in China Daily.

It can be done, it does take perseverance but will provide a good job for a long time to come.
 
I figure that by the time the current generation of techs peter out (insert your favorite euphemism here) that 35mm will be waning as well... people will still want old Leicas, but more as display objects, with a roll of Kodachrome 25 endlessly wound and rewound....

For the few remaining diehards, there will always be fancy and expensive restorers. The people you will miss are the blue-collar camera techs, like Youxin Ye, who can get your "user" running for a reasonable amount. Instead we'll end up with the sort of guys who clean stuff up for museums and high-end collectors.
 
We should attempt to get someone skilled with a video camera to ask a repair person to do a youtube series, or dvd for DIY repairs for simple issues. If they price it right, or we get a bunch of rff members to fund the production, mabey we can set outselfs up to repair our own.

I love that idea! Hopefully it will happen one day.
 
Posted here before, but relevant again: an article on self-taught Leica repairman Youxin Ye in China Daily.

Great article - thanks for posting. Certainly M's still seem to be popular amongst young photographers, so I guess it's only natural that people will start to 'fiddle' and eventually learn the 'secrets'.
 
I guess the most affordable approach would be to start working on FED-1 or Zorki-1 cameras and once you master these get a Leica to work on (and be amazed about the much better build quality).

Start by working from Tomosy's book on Leica repair, it isn't perfect or complete on all subjects but its a good start.

The moment some active forum member announces he's starting to become a repairman, I'll donate a Zorki-1 thats in parts (completely!) to set him up with spare parts. Would be nice if we would all do that so someone can start learning without huge initial costs.
 
If there is a demand then there will be someone providing the service.

One good thing about "our" time is that you can find repair people all over the planet and it's not a big deal to send them a camera for repairs.
It's not as good as having someone you can take it to locally but at least we can get stuff fixed.
 
One of my old camera mechanics (long dead, alas) used to charge less to work on Leicas because they were easier and more pleasant to work on. I wonder if extra charges for Leicas nowadays may be because too few Leica owners trust the repairers and too many think they know more than the repairers do (e.g. demanding a 'CLA' every time the camera changes hands). In other words, they're not charging extra to work on Leicas: they're charging extra for dealing with neurotic Leica owners.

Cheers,

R.

Roger, That's a lovely idea, but I suspect the answer is simpler -- and duller: basic economics. They are charging what the market will stand, and the Leica-user market will stand more, so it pays more...

But this is a thought-provoking and interesting thread.
 
I have thought about this issue of repair availability, but I'm not worrying yet. With Leica's 30 year availability of parts, reinforced by their track record and their renewed economic viability, I see no problems there. And if Leica's isn't there to do the work, Will van Manen isn't old, and Kathy is plain young, and both do wonderful jobs. So really, my concern is in getting old enough myself rather than the disappearing of technicians.

Also, I agree with Peter. What's so cool about technology and the web right now is that on the one hand digital has pushed vinyl and film into niches, on the other hand it offers all sorts of possibilities for these niches to thrive. You can now reach a worldwide market from your home.
 
Yes, self taught. And so is Sover Wong, of Nikon F2 fame.

Like some other poster said, it isn't rocket science, until you get to the computer controlled units.

Vick


Posted here before, but relevant again: an article on self-taught Leica repairman Youxin Ye in China Daily.

It can be done, it does take perseverance but will provide a good job for a long time to come.
 
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