Calzone
Gear Whore #1
I’m thinking of winding my wound strings on the HOG to brighten up the tone to add some treble emphasis.
It is a secrete, so don’t tell anyone. Basically you mount new strings, bring the guitar up to pitch, and then loosen the string and wind the windings tighter by cranking the ball end of the string. 2-3 turns, and the limit is about 5 turns.
Pretty much an old piano tuners trick, but utilized on a guitar to add tension.
Pretty much adds some zing to the string.
The Model “F” made of all mahogany (HOG) has a round bottom end and mucho warmth, but lacks the brilliant highs of a spruce top to project.
This trick can blend in some highs, but the feel of the action is more tension on the string as if of heavier gauge. That is the trade off.
Lately I have had gas for a smaller mahogany guitar that features scalloped braces. The Santa Cruz H13 modeled after a Gibson Nick Lucas model comes to mind, or the Otis Taylor Chicago signature model. Pretty much a flat top optimized for blues.
The Nick Lucas is a small bodied guitar with deep sides for added volume and bass response. The early versions had 13 frets clear of the body instead of 12 or 14. It kinda has a sweet spot and is mucho responsive to attack.
I just need a bit more bite to the tone. The sound already is big with a profound round bass, a warmth to the voice via midrange, but I need more bite. The string winding might get me where I need to go. The thing about the HOG is that it is a mini-jumbo in size, so it projects and has volume, but the treble is a bit choked for a blues voice.
I basically need less smoothness and more attack.
The fresh strings I put on last night won’t lie.
Cal
It is a secrete, so don’t tell anyone. Basically you mount new strings, bring the guitar up to pitch, and then loosen the string and wind the windings tighter by cranking the ball end of the string. 2-3 turns, and the limit is about 5 turns.
Pretty much an old piano tuners trick, but utilized on a guitar to add tension.
Pretty much adds some zing to the string.
The Model “F” made of all mahogany (HOG) has a round bottom end and mucho warmth, but lacks the brilliant highs of a spruce top to project.
This trick can blend in some highs, but the feel of the action is more tension on the string as if of heavier gauge. That is the trade off.
Lately I have had gas for a smaller mahogany guitar that features scalloped braces. The Santa Cruz H13 modeled after a Gibson Nick Lucas model comes to mind, or the Otis Taylor Chicago signature model. Pretty much a flat top optimized for blues.
The Nick Lucas is a small bodied guitar with deep sides for added volume and bass response. The early versions had 13 frets clear of the body instead of 12 or 14. It kinda has a sweet spot and is mucho responsive to attack.
I just need a bit more bite to the tone. The sound already is big with a profound round bass, a warmth to the voice via midrange, but I need more bite. The string winding might get me where I need to go. The thing about the HOG is that it is a mini-jumbo in size, so it projects and has volume, but the treble is a bit choked for a blues voice.
I basically need less smoothness and more attack.
The fresh strings I put on last night won’t lie.
Cal