Trius
Waiting on Maitani
It's OK, Tom. I'm addicted, so I can't really blame you, you enabler.
I'll let Bill know his effect lingers on ... He's a great guy. He sent me a 100/2.8 free as it was surplus to him and had a bent filter ring. Still works fine for me and is supplemental to my original silvernose 100 which needs a good CLA.
back alley
IMAGES
which would you guys recommend, the 100 or the 85, as a possible next lens after the 200. and which version?
joe
joe
Sparrow
Veteran
90 or 100 f2 if your dead lucky 100 f2.8 in the real world
I shouldn’t even be reading this
I shouldn’t even be reading this
tom_f77
Tom Fenwick
Good question!
The two are very similar; basically the same design as I understand it. I had the 100/2.8 and eventually picked up an 85/2 and kept that; I like the extra stop and I didn't really miss the extra length. The look is very similar though.
The 100/2.8 is more often to be had at bargain prices.
As to which version - that's more complicated; people generally look for late multicoated versions, but there are some who much prefer certain earlier types; particularly the 100/2.8.
Not a very helpful answer, I guess! They're all good though.
Tom
The two are very similar; basically the same design as I understand it. I had the 100/2.8 and eventually picked up an 85/2 and kept that; I like the extra stop and I didn't really miss the extra length. The look is very similar though.
The 100/2.8 is more often to be had at bargain prices.
As to which version - that's more complicated; people generally look for late multicoated versions, but there are some who much prefer certain earlier types; particularly the 100/2.8.
Not a very helpful answer, I guess! They're all good though.
Tom
oscroft
Veteran
So they're called "Fangs", eh? My best Oly Fangs include my 28-48, which cost me £36 - approx $65 (I bought it in a kit and that was the balance after I'd sold off the rest). I also got a 100/2.8 and an OM2n for £60 (~$110) for the two (again after buying a whole kit and selling off the rest) - the 100/2.8 is a superb lens. And last week I got a 75-150 for £23 (~$42), when they usually seem to go for more than £30 in the UK.
Buying whole kits and selling on the stuff I don't want - unless it's junk - seems to me to be the best way to get bargains (I got my FED 3 and J-9 effectively free that way), but the downside is the temptation to keep more stuff than I intend.
Buying whole kits and selling on the stuff I don't want - unless it's junk - seems to me to be the best way to get bargains (I got my FED 3 and J-9 effectively free that way), but the downside is the temptation to keep more stuff than I intend.
oscroft
Veteran
Generally I think around 75 to 85 is my favourite telephoto length, but I really do like my 100/2.8. I don't have the 85/2, but it's been on my shopping list for a long time - they always go for too high a price for me. But if the design and look are essentially the same as the 100, I might just have to raise my price limit.The two are very similar; basically the same design as I understand it. I had the 100/2.8 and eventually picked up an 85/2 and kept that; I like the extra stop and I didn't really miss the extra length. The look is very similar though
All of my Oly lenses are later multicoated ones, bar one - I have a single coated 50/1.4 silvernose, which is really nice for b&w. In an ideal world (or at least, with an ideal bank account), I think I'd have a set of multicoated lenses for colour and a set of silvernose lenses for b&w.As to which version - that's more complicated; people generally look for late multicoated versions, but there are some who much prefer certain earlier types; particularly the 100/2.8
Trius
Waiting on Maitani
If I had the funds the 90 would be my choice ... has a close focus range (it's called "macro" but isn't truly macro), but yeah, in the real world 100/2.8. I like having one older one (silver nose) and one newer one.
Right ... with an ideal bank account to start with; after assembling to lens kits it would no longer be ideal! But then what about the "middle range"? I.e., start with earliest silver noses and a stable of latest MCs, but there were some intermediate models that might be interesting ... OMG (OMGas)
Right ... with an ideal bank account to start with; after assembling to lens kits it would no longer be ideal! But then what about the "middle range"? I.e., start with earliest silver noses and a stable of latest MCs, but there were some intermediate models that might be interesting ... OMG (OMGas)
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oscroft
Veteran
A couple of people have mentioned the 200/4, but I've got at least half an eye open for a 200/5. I'd want it mainly for traveling to bright sunny places, so the small size and weight would win over the wider aperture. If anyone has one, I'd be interested to know what it's like.
tom_f77
Tom Fenwick
oscroft said:A couple of people have mentioned the 200/4, but I've got at least half an eye open for a 200/5. I'd want it mainly for traveling to bright sunny places, so the small size and weight would win over the wider aperture. If anyone has one, I'd be interested to know what it's like.
Can't help with that one, I'm afraid... I do have a 100-200/5 zoom you can try though if you like
ClaremontPhoto
Jon Claremont
The 28-48 is my favorite OM lens. I use it far more than the 50 or the 135.
Xmas
Veteran
Alan
The 200mmf5 is smaller and lighter, but just as difficult to hold steady, it seems to be as good as the 135mm2.8 apart from magnification.
I use a very deep felt lined hood.
What did you want to know?
Noel
The 200mmf5 is smaller and lighter, but just as difficult to hold steady, it seems to be as good as the 135mm2.8 apart from magnification.
I use a very deep felt lined hood.
What did you want to know?
Noel
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Xmas
Veteran
Joe et al
The (early) OM2 I had was easy on batteries as it would auto expose if faster than 1/30 even when switched off, the OTF meter did not need the power switch to be on.
Dont know they all do that.
Noel
The (early) OM2 I had was easy on batteries as it would auto expose if faster than 1/30 even when switched off, the OTF meter did not need the power switch to be on.
Dont know they all do that.
Noel
back alley
IMAGES
Jon Claremont said:The 28-48 is my favorite OM lens. I use it far more than the 50 or the 135.
tell me more, got any pics from it?
that's my latest win on ebay and i'm looking forward to it.
joe
oscroft
Veteran
That's a very kind offer, thanks, but I've already decided it's not the one for me because it's a little bit too big and heavy (and I already have a 75-150).Can't help with that one, I'm afraid... I do have a 100-200/5 zoom you can try though if you like
oscroft
Veteran
That's pretty much it, thanks. I was wondering how it handles and how it compares optically to the other teles - if it's as good as the 135/2.8 then I'd be very happy with one.The 200mmf5 is smaller and lighter, but just as difficult to hold steady, it seems to be as good as the 135mm2.8 apart from magnification.
I use a very deep felt lined hood.
What did you want to know?
ClaremontPhoto
Jon Claremont
ClaremontPhoto
Jon Claremont
MelanieC
Well-known
oscroft said:All of my Oly lenses are later multicoated ones, bar one - I have a single coated 50/1.4 silvernose, which is really nice for b&w. In an ideal world (or at least, with an ideal bank account), I think I'd have a set of multicoated lenses for colour and a set of silvernose lenses for b&w.
What is it about the silvernose lenses that you like better for black and white? I have a silvernose 50/1.8 that came attached to my first (inoperative -- stuck shutter) OM-1. Together the two were $25. At the same camera show I got an OM-G (OM-20) in perfect condition attached to a Vivitar 28-210mm macro zoom for $10.
oscroft
Veteran
Here's a full-frame shot I took with the 100/2.8 on an OM2n a couple of weeks ago. It's on Delta 400 and developed in Rodinal 1+25, so it's not a good test of sharpness, but it gives some idea of its perspective and flare resistance (the sun was only a little out of the frame).
Attachments
back alley
IMAGES
thanks for the shots john.
what makes it your favourite lens?
the zoom range?
alan, nice shot, very moody.
joe
what makes it your favourite lens?
the zoom range?
alan, nice shot, very moody.
joe
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