Brennotdan
Established
I would like to start a discussion on parallax correction. I will share my experience with the koni omega and how I deal with framing parallax error at close distance.
I use the rapid 100 at close distances quite often, usually on a tripod. The viewfinder has automatic correction which makes it difficult to be precise when shooting in close. The top and left hand side of the frame contract to (semi)correct for viewfinder/lens distance. I imaging the entire frame contracting (angle of view), frame and then move the camera up and slightly to the left. At distances over 6 feet, I just believe what the viewfinder tells me.
With the 58mm lens, the frame has been significantly lower then what I intend, even at distances up to 10 feet, often including things I don't want in the frame. The separate lines in the shoe-mount viewfinder confuse me when trying to correct, and I try to ignore the lower line at close distances. I use the entire frame, imagine it contracting for angle of view, and then move the camera up the distance between lens and viewfinder. For verticals I also move the tripod over a bit.
Lately my framing has been close, but I still end up thinking and cropping way more than I would like.
What is your working method/mental routine when framing at close distance?
Closer to what I intended:
A side note: I absolutely love these Konica lenses.
I use the rapid 100 at close distances quite often, usually on a tripod. The viewfinder has automatic correction which makes it difficult to be precise when shooting in close. The top and left hand side of the frame contract to (semi)correct for viewfinder/lens distance. I imaging the entire frame contracting (angle of view), frame and then move the camera up and slightly to the left. At distances over 6 feet, I just believe what the viewfinder tells me.
With the 58mm lens, the frame has been significantly lower then what I intend, even at distances up to 10 feet, often including things I don't want in the frame. The separate lines in the shoe-mount viewfinder confuse me when trying to correct, and I try to ignore the lower line at close distances. I use the entire frame, imagine it contracting for angle of view, and then move the camera up the distance between lens and viewfinder. For verticals I also move the tripod over a bit.
Lately my framing has been close, but I still end up thinking and cropping way more than I would like.
What is your working method/mental routine when framing at close distance?

Closer to what I intended:

A side note: I absolutely love these Konica lenses.

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