Tijmendal
Young photog
Hi,
A couple days ago I came back form an 18 day trip to Iceland. Needless to say, it was one of the most beautiful places I've ever visited.
The weather, on the other hand, was pretty bad - it always is. A lot of wind, which ain't that bad, but also a lot of rain. I brought my Leica M6 and Hasselblad setup (60mm and 100mm lenses); the M6 for all 'travel' shots and the Hass for everything landscape related. Now, because there was so much rain, I often found myself not making the shot, because I feared for my gear. Especially the Hasselblad, because it takes so long to set up a shot, saw less use than I wanted. Everytime I thoughtL: 'let's try anyway', I aborted the mission halfway through because it was getting too wet for my taste. (I still shot 10 rolls though.)
Meanwhile, the mass of tourists and their weather-sealed bodies were happily standing in the rain, not giving a damn.
How does everybody handle situations like this? Are we simply screwed as film photographers because we haven't got the latest weather-sealing tech in our camera's? Or am I being too cautious?
A couple days ago I came back form an 18 day trip to Iceland. Needless to say, it was one of the most beautiful places I've ever visited.
The weather, on the other hand, was pretty bad - it always is. A lot of wind, which ain't that bad, but also a lot of rain. I brought my Leica M6 and Hasselblad setup (60mm and 100mm lenses); the M6 for all 'travel' shots and the Hass for everything landscape related. Now, because there was so much rain, I often found myself not making the shot, because I feared for my gear. Especially the Hasselblad, because it takes so long to set up a shot, saw less use than I wanted. Everytime I thoughtL: 'let's try anyway', I aborted the mission halfway through because it was getting too wet for my taste. (I still shot 10 rolls though.)
Meanwhile, the mass of tourists and their weather-sealed bodies were happily standing in the rain, not giving a damn.
How does everybody handle situations like this? Are we simply screwed as film photographers because we haven't got the latest weather-sealing tech in our camera's? Or am I being too cautious?