le vrai rdu
Well-known
Paddy C
Unused film collector
It's a fantastic camera down in the street
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Love it. Were you getting looks because of the size of the camera?
Ezzie
E. D. Russell Roberts
Whow! I can´t believe this one´s gone uncommented. I can´t wait to get into MF. That being with an MF camera, I shoot roll film on an LF camera, but that´s different. Not a Pentax though.
le vrai rdu
Well-known
Love it. Were you getting looks because of the size of the camera?
yes
this one I asked the guy for the picture too
but you cannot be stealth with a brassed 6x7 with wooden grip
bagdadchild
Established
Whow! I can´t believe this one´s gone uncommented. I can´t wait to get into MF. That being with an MF camera, I shoot roll film on an LF camera, but that´s different. Not a Pentax though.![]()
Thank you Ezzie, I appreciate your comment a lot!
The negs have very good detail, not like LF but the camera is very portable and even good for hand-held shooting. The only problem I've had is the focus screen loosening somewhat which caused a back focus issue, but it's an easy fix once you realize. Film advance is said to be a weak point, but I always advance slowly so hopefully it will last a while.
Here is a 100% crop of the image from a 4000 dpi scan on a Scanmate flatbed scanner.

bagdadchild
Established
Spring in Sweden:



le vrai rdu
Well-known

the P6x7 meets the bessa R
bagdadchild
Established
Fuji Pro 160C
200mm lens
90mm lens & 1+2+3 extension rings
200mm lens

90mm lens & 1+2+3 extension rings

Last edited:
skibeerr
Well-known
Hi Keith, frame lines on your rangefinders may be a bit of but then the AE prism on the 67II only shows 90% of the frame.
The mirror slap noise is always largely exaggerated but it's there alright.
On the Bronica rf 645 imo this is a superb camera, lately tough I have come to appreciate large and bright focussing screens for composing and the 67II delivers just this.
Cheers,
Wim
The mirror slap noise is always largely exaggerated but it's there alright.
On the Bronica rf 645 imo this is a superb camera, lately tough I have come to appreciate large and bright focussing screens for composing and the 67II delivers just this.
Cheers,
Wim
kevin m
Veteran
This thread inspired me to buy a Pentax. Not a 67, though, a 645n!
I have yet to put a roll thru it (it arrived before my B&H order) but it's a very nice piece of kit. It came with an 80-160 zoom (soon to be on ebay; too damned big) but there are some nice primes available for it, including a well-regarded 35mm lens. Anyway, cheers to this thread! 
le vrai rdu
Well-known
my 6x7 as trouble with high speeds (1/500 and 1/1000)
one time out of 5 I have a blank frame, nothing on it
it will go back to the seller
bummer !!!
one time out of 5 I have a blank frame, nothing on it
it will go back to the seller
bummer !!!
scottyb70
Well-known
venchka
Veteran
You guys are killing me! Putting the Hassy aside for awhile. Bringing out the BEAST!
Not good! So sorry to hear of this trouble... The shutter is electronically controlled, so it would probably need someone familiar with this camera to repair it.my 6x7 as trouble with high speeds (1/500 and 1/1000)
one time out of 5 I have a blank frame, nothing on it
it will go back to the seller
bummer !!!
le vrai rdu
Well-known
well
the guy will take it back, I just need a 6X7 or 67 body only
the guy will take it back, I just need a 6X7 or 67 body only
le vrai rdu
Well-known
anyway, it works at lower speed so I didn't lose my whole afternoon

le vrai rdu
Well-known
le vrai rdu
Well-known
I phoned the guy who sold me the Pentax 6x7
I keep the optics, I give him back the body and prism and he will pay the amount of a working body + TTL prism
I keep the optics, I give him back the body and prism and he will pay the amount of a working body + TTL prism
dng88
Dennis
You guys are killing me! Putting the Hassy aside for awhile. Bringing out the BEAST!
I thought the Beast is Fuji 6x8. Pentax 67 is handholdable but I think not the 6x8 ....
BTW, should the gas all run out ...
kevin m
Veteran
I love the tonality of these shots, and you seem to put your subjects at ease despite carrying a huge camera.
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