Erik: Followed a couple of links to your shots with your 50mm and they're great btw. Saw at one point that you were prodded for your workflow - specifically on scanning. I'm not sure that happened to the satisfaction of the crowds, but I have a different question... given that the subject here in this folder/pocket is film and developing. As an Ilford FP4 and HP5 kind of guy myself, I've seen Perceptol used for both but the recommendation tends to favor slower speed... is this right? I don't think it's a restriction by any means so much as a "best with...".
I'm also curious how you came to Perceptol by which I mean to ask in two parts: 1) what other developers did you use beforehand, and 2) do you use other developers, too? and if so, how do you differentiate which one to use in your creative process? For my own part, my interest was piqued by Barry Thornton's work and discussion of his use of 30% of the time in Perceptol (1:2) and the other 70% in Dixactol / Dixactol Ultra / Exactol. There's an article on Exactol he wrote where he came to these decisions seeking to stay in 35mm with a much beloved Leica M but ultimately threw in the towel and bought his Rollei SL66. I'm kind of following along... love my Leica M and have seen some great images from Pyrocat-HD, but while not giving that up by any means, have begun to "play" with a Bronica SQ-A to see what this MF thing is about and whether I like the 6X6 format. So Thornton's logic seems to appeal to me... and his results definitely... though it would probably be better to reverse that order.
In a nutshell, I'm curious about your path as well. Like your results...duh, and would love to hear a few words from you on the subject - if you have the time, inclination, etc. ...even if it's just a link. Thanks!