Erik van Straten
Veteran
gelatine silver print (elmar 50mm f3.5) leica 1a (1928)
Erik.
Erik.

Erik van Straten
Veteran
gelatine silver print (elmar 50mm f3.5) leica 1a (1928)
Erik.
Erik.

Erik van Straten
Veteran
gelatine silver print (elmar 50mm f3.5) leica 1a (1928)
Erik.
Erik.

Erik van Straten
Veteran
gelatine silver print (elmar 50mm f3.5) leica 1a (1928)
Erik.
Erik.

Erik van Straten
Veteran
gelatine silver print (elmar 50mm f3.5) leica 1a (1928)
Erik.
Erik.

Erik van Straten
Veteran
gelatine silver print (elmar 50mm f3.5) leica 1a (1928)
Erik.
Erik.

Erik van Straten
Veteran
gelatine silver print (elmar 50mm f3.5) leica 1a (1928)
Erik.
Erik.

Erik van Straten
Veteran
gelatine silver print (elmar 50mm f3.5) leica 1a (1930)
Erik.
Erik.

p.giannakis
Pan Giannakis
Very nice picture Erik !
raid
Dad Photographer
I like the series of images, Erik. The B&W works with your photography are excellent.
maddoc
... likes film again.
Fantastic work, Erik! I would like to ask two questions. Do you use an external rangefinder or scale focusing? What was the film?
DwF
Well-known
Wonderful body of work here with this camera Erik.
David
David
DwF
Well-known
gelatine silver print (elmar 50mm f3.5) leica 1a (1930)
Erik.
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This one in particular with the texture of the water and then the "white caps", not waves but on the pilings
David
Erik van Straten
Veteran
Thank you all, Pan, David, Raid and Gabor!
Gabor, yes, I use a FOFER, that is a FODIS with a bigger wheel, so focusing is more precise. What always amazes me is the accuracy of the focusing system. However, it is slow.
The film I always use is Tmax400 developed in Perceptol.
I use a SBOOI viewfinder.
The prints are split-grade prints on AdoxMCC110 or Ilford MGFB.
I have three model A's, one from 1928, the others from 1930. I like the 1928 model with its mushroom release very much, but in use there is not much difference between the cameras. The condition of the lens is of course a very important factor when buying a Leica 1a.
Erik.
Gabor, yes, I use a FOFER, that is a FODIS with a bigger wheel, so focusing is more precise. What always amazes me is the accuracy of the focusing system. However, it is slow.
The film I always use is Tmax400 developed in Perceptol.
I use a SBOOI viewfinder.
The prints are split-grade prints on AdoxMCC110 or Ilford MGFB.
I have three model A's, one from 1928, the others from 1930. I like the 1928 model with its mushroom release very much, but in use there is not much difference between the cameras. The condition of the lens is of course a very important factor when buying a Leica 1a.
Erik.
Erik van Straten
Veteran
gelatine silver print (elmar 50mm f3.5) leica 1a (1928)
Erik.
Erik.

maddoc
... likes film again.
Eric, thanks a lot!
Erik van Straten
Veteran
gelatine silver print (elmar 50mm f3.5) leica 1a (1928)
Erik.
Erik.

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