Takkun
Ian M.
Hello everyone,
Now that I'm back in the film game, I'm going digital so to speak. I've really enjoyed the control and instant gratification of processing myself, but now I've got maybe 30 rolls backed up that I want digitized.
I know someone who shoots 4x5 commercially, and his workflow involves an Epson V700. He shoots LF for the camera movements and doesn't enlarge much at all, so it works for him. I wasn't too impressed with the scans of 35 when I tried it.
So I'm looking at a dedicated neg scanner, with an approximate $500 budget. I hear great things about PlusTek, but even better things about the Coolscan line. Sadly, the OpticFilm 120 and the greatly-inflated Coolscan X000 models are far, far beyond budget. The CS IV, old as it is, is more in my price range. I just am concerned that perhaps the newest models finally have the upper hand resolution wise.
FWIW, I almost exclusively shoot 35mm BW and just go with digital for color, so ICE isn't something I'm concerned with. Grain, however, is.
Now that I'm back in the film game, I'm going digital so to speak. I've really enjoyed the control and instant gratification of processing myself, but now I've got maybe 30 rolls backed up that I want digitized.
I know someone who shoots 4x5 commercially, and his workflow involves an Epson V700. He shoots LF for the camera movements and doesn't enlarge much at all, so it works for him. I wasn't too impressed with the scans of 35 when I tried it.
So I'm looking at a dedicated neg scanner, with an approximate $500 budget. I hear great things about PlusTek, but even better things about the Coolscan line. Sadly, the OpticFilm 120 and the greatly-inflated Coolscan X000 models are far, far beyond budget. The CS IV, old as it is, is more in my price range. I just am concerned that perhaps the newest models finally have the upper hand resolution wise.
FWIW, I almost exclusively shoot 35mm BW and just go with digital for color, so ICE isn't something I'm concerned with. Grain, however, is.