Post Your Film Images Here

[Einstein]

England Cotswold Hasselblad 50mm FLE.

14208655-0C21-4FC2-942E-5F31EEECCFA4 by james purves, on Flickr

 

[Einstein]

England Cotswold Hasselblad 50 mm FLE. The house owner was a lovely gentleman who saw my camera and my admiration of his beautiful garden. So he invited me to look around and I got this click. He was a retired director of an African Mining Company.

6F67BA22-F974-4BC9-B8D5-8F9BE3587193 by james purves, on Flickr

 

[Einstein]

Beautiful Bryce Canyon. Hasselblad 150 mm.

562F4938-9A16-496D-A378-5EA694FC7CA0 by james purves, on Flickr

 

[Einstein]

Scotland Rape Field. Hasselblad SWC/M

19427227-3DED-4F5F-8A8E-3484A4027519 by james purves, on Flickr

 

[Mos6502]

Construction on 45 by Berang Berang, on Flickr

Soligor 45 + Kentmere 100, printed on Fomatone

 

[Derek Leath]

you put your Alpa to good use !

Cheers. I haven't picked up a Leica in months.

 

[helen.HH]

Ripped Chair, Ripped Vision ... Ripped
by Helen Hill, on Flickr

 

[helen.HH]

Ari heading home to the Netherlands...
by Helen Hill, on Flickr

 

[Derek Leath]

Ripped Chair, Ripped Vision ... Ripped
by Helen Hill, on Flickr

Very nice as always

 

[Nokton48]

18x24 Mammo Shortie Sawed Off Norma by Nokton48, on Flickr

This is a test shot (my Shorty Norma) French Kodak 18x24cm Mammo Film, processed in D23 1:1. Taking camera is my new Annie/Avedon inspired 8x10 Norma. I applied 30 degrees of front and rear swing, the Norma original recessed lensboard is sharp all the way across the field. I like how the DOF drops off with the 360mm f5.6 Norma Symmar. There appears to be highlight blooming, which I find kind of attractive. Best thing about this film was that it was not at all expensive. And I have a lot of it

My "Shorty Sawed-Off Norma" has a basic rail cut down, to just accomodate a 120mm lens. Here it is shown with the 47mm f8 Super Angulon, which I am looking forward to using a lot with 2x3 and 6x9. This is not a telephoto camera, but I can easily lift and carry it with one hand without strain. The lowly Star-D tripod is sturdy enough with this setup, given proper time to settle down. I cut both ends off a basic Norma rail with my Lil Machine Shop Bandsaw. So it is now simply a hollow tube perfect length for Field and Architecture.

 

[Erik van Straten]

gelatin silver print (elmar 50mm f3.5) leica 1a (1928)

Erik.

 

[Derek Leath]

Alpa 6b / Kern Switar Macro / Formapan 100 / D76 1:1


Lilly2_6b
by
Derek Leath,
on Flickr

 

[helen.HH]

Very nice as always

Lovely of You to say, Thank You Derek...

btw, will be in your neck of the woods sometime late August... arriving in D.C. then to Falls Church,VA

 

[Erik van Straten]

gelatin silver print (summar 50mm f2) leica III

Erik.

 

[Mackinaw]

Canon AE-1 with FD 15mm/2.8 fisheye. Lomography Metropolis 400 (converted to B&W).



Jim B.

 

[p.giannakis]

gelatin silver print (elmar 50mm f3.5) leica 1a (1928)

Erik.

This is very nice Erik!

 

[Erik van Straten]

This is very nice Erik!

Thank you, Pan! Unthinkable that people live here, but they do!

Erik.

 

[p.giannakis]

Pentax Spotmatic II - Takumar 55f2
Ilford HP5 in HC110

 

[JohnWolf]

Such a lovely idyllic scene, Pan. Like a Breughel scene. The light in the trees is especially nice.

John

Pentax Spotmatic II - Takumar 55f2
Ilford HP5 in HC110

 

[p.giannakis]

Such a lovely idyllic scene, Pan. Like a Breughel scene. The light in the trees is especially nice.

John

Thank you John, it was a lovely summer morning.