Slumgullion
Well-known
Thanks! Yep, wide-open near minimum focus distance gets you quite a bit of blur. The ASPH Lux 11874 has such a nice draw - smooth but still structured enough to have character.Lovely shots, but hard to believe they're made with a 35!
Erik van Straten
Veteran
Nowadays and in this world anything is possible, but I still don't believe it. Again, the shots are very fine!
Slumgullion
Well-known
Fair enough. I'm certain of which lens I used (because I only had one lens with me). So, I guess it's cool that a 35 could give the impression of a different lens.Nowadays and in this world anything is possible, but I still don't believe it. Again, the shots are very fine!
fdu
Established
Taipei-metro
Veteran
Tuna
Fotoğrafçı
Tuna
Fotoğrafçı
lynnb
Veteran
Cabbage Tree Bay, Sydney, February 2020. #216
IIIc CV 21mm f/4 LTM HP5+ in ID11
IIIc CV 21mm f/4 LTM HP5+ in ID11

lynnb
Veteran
Cabbage Tree Bay, Sydney, February 2020. #213
IIIc CV 21mm f/4 LTM HP5+ in ID11
IIIc CV 21mm f/4 LTM HP5+ in ID11

Out to Lunch
Ventor
oldwino
Well-known
Freakscene
Obscure member
They are lovely. The 35 Summilux ASPH is great, and, yes, you can get very narrow depth of field with it. I was the first of the modern asphericals (the 50/1.2 Noctilux was obviously Leica's first camera lens with aspherical elements) but it was also the first of their lenses to be designed with very rapid focus fall off.Fair enough. I'm certain of which lens I used (because I only had one lens with me). So, I guess it's cool that a 35 could give the impression of a different lens.
The "more is better" philosophy, as you point out elsewhere on this forum, has made lenses produced in the last 30+ years a lot more contrasty and focus falloff occurs even faster, but the 35 ASPH is pretty much where modern lens fashions were set.
Share:
-
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.