Post Your Film Images Here

[JohnWolf]

August 2020
Nikon F90x - AF Nikkor 35 f/2.0 (Wide open)
ilford Delta 400 in HC110

Beautiful, Pan. And glad you're back. I was worried you guys had left us for Eastern Europe.

John

 

[Benjamin Marks]

 

[Benjamin Marks]

Leica M3; 50 Summarit

 

[JohnWolf]

Camping on Lake Superior a couple weeks ago. Super cold water but we couldn't resist a swim.

M6 | C-Biogon | HP5+ in HC-110h

 

[Greyscale]

Playing with an Ansco Memo from 1927.

First roll, on Agfa APX 100, expired in 1993. The shutter was inconsistent, and it took a lot of postprocessing to get a decent image. But the Wollensak Velostigmat lens shows potential.


Ansco Memo (1927), Agfa APX 100 (1993) Rodinal 1:25 8 minutes 20C. by Mike Novak, on Flickr


Ansco Memo (1927), Agfa APX 100 (1993) Rodinal 1:25 8 minutes 20C. by Mike Novak, on Flickr

Second roll, the shutter issue has been resolved. The fresh ORWO UN54+ was a little fast for the conditions, so a bit of camera shake. But a great improvement.


Ansco Memo (1927), ORWO UN54+ FA1027 1:19 nine minutes by Mike Novak, on Flickr


Ansco Memo (1927), ORWO UN54+ FA1027 1:19 nine minutes by Mike Novak, on Flickr

Roll number three. Lets really see what this quirky old camera is capable of with a fine-grain emulsion. Kodak Technical Pan with the camera on a tripod.


Ansco Memo (19270, Kodak Technical Pan. by Mike Novak, on Flickr


Ansco Memo (19270, Kodak Technical Pan. by Mike Novak, on Flickr

While the Technical Pan shows that the Wollensak Velostigmat lens certainly out-resolved the films that were available in 1927, overall, I find the photos made on the Orwo film most pleasing, I think that with the Technical Pan, I have traded shapness for character. Impressive results for such a simple camera, I think.

 

[p.giannakis]

Camping on Lake Superior a couple weeks ago. Super cold water but we couldn't resist a swim.

M6 | C-Biogon | HP5+ in HC-110h

Very simple and elegant composition. I like it a lot!

 

[lynnb]

I love this shot. Very nice bokeh this lens, almost like a rangefinder, contrasts nicely with the sharp hairs. Composition, light and tonality are perfect.
Erik.

I agree with Erik's comments. Lovely shot Pan.

 

[lynnb]

cliff path, Curl Curl to Freshwater, Sydney, July 2020
OM4-Ti OM Zuiko 21mm f/3.5
Kodak Gold 200 lab scan to jpg

 

[p.giannakis]

cliff path, Curl Curl to Freshwater, Sydney, July 2020
OM4-Ti OM Zuiko 21mm f/3.5
Kodak Gold 200 lab scan to jpg

I can hear the sound of the waves on this one. Excellent work Lynn.

 

[lynnb]

I can hear the sound of the waves on this one. Excellent work Lynn.

Thanks Pan! It was a pretty wild surf.

 

[swatch]

Planar 2.8
Acros 100
HC-110

[/url]central001 by Vincent Lo, 於 Flickr[/IMG]

 

[lynnb]

winter storm swells break on the Sydney coast, taken from the cliff path near where I live, August 2020
OM4-Ti Zuiko 21mm f/3.5 Kodak Gold 200 converted to bw and split toned in LR6

 

[Greyscale]

Nikon F90, Nikkor AI 50/1.4, Kentmere 400 red filter, Rodinal 1:40 16 minutes. by Mike Novak, on Flickr


Nikon F90, Nikkor AI 50/1.4, Kentmere 400 red filter, Rodinal 1:40 16 minutes. by Mike Novak, on Flickr


Nikon F90, Nikkor AI 50/1.4, Kentmere 400 red filter, Rodinal 1:40 16 minutes. by Mike Novak, on Flickr


Nikon F90, Nikkor AI 50/1.4, Kentmere 400 red filter, Rodinal 1:40 16 minutes. by Mike Novak, on Flickr

 

[Erik van Straten]

Nikon S2/CZSonnar50mmf/1.5/TMY400/AdoxMCC110

Erik.

 

[Greyscale]

APX25-006 by Mike Novak, on Flickr


APX25-004 by Mike Novak, on Flickr


APX25-005 by Mike Novak, on Flickr


APX25-007 by Mike Novak, on Flickr

 

[Deleted member 65559]

Fuji GSW690iii HP5

Flickr

 

[cjm]

F2, Micro-Nikkor 55mm f3.5, Tri-X

 

[jordan.dickinson]

 

[p.giannakis]

Leica IIc with Emar 50 f/3.5
Kodak 400CN

 

[Mudman]

Leica m3, 5cm elmar and 90mm summicron. Ilford fp4