Lance Armstrong's second Celebration winning the Tour de France Final étape in Paris on 2000 in The Avenue des Champs-Élysées.
Lance Armstrong's consecutive historic winning after he started on 1999 - 2005 was marked on the books but it was the first kind in this Iconic cycling tour to do the biggest scandal.
This photo is from the series of TOUR DE FRANCE and it is the craziest of documentary I have done with this cameras using a very limited heavy camera using hand hold. Of cause I had to used a moter-winder on this camera but is is very cumbersome heavy and uncomfortable camera to use among the heavy crowd.
I have the whole series of this project and behind scene on the this thread. Cyril Jayant on Behance
What must be the Most BORING PIER in the UK -- Felixstowe Pier Suffolk ! 1978 500 CM + 80mm f2.8 CT Planar T* 2017 XP2 400 Super Felixstowe 07 by Peter Elgar, on Flickr
I went to OXFORD on a Coach Trip -- the weather was DULL and Horrible but I managed to get some snaps on my 1978 HASSELBLAD 500CM with outdated FUJI NPH 400 rated 250 ASA and home-processed ion C41 The Harry Potter ELF 'Dobby' in The House of Wonders 80mm f2.8 CT Planar T* @ f5.6 OXFORD trip 03 by Peter Elgar, on Flickr Bicycles in Broad Street -- lens as above OXFORD Trip 06 by Peter Elgar, on Flickr
The famous Old Hat Shop == lens as above OXFORD Trip 01 by Peter Elgar, on Flickr
Visit to BROADSTAIRS, Kent , England with my 2002 501CM loaded with 1999 dated Fuji ASTIA 100 E6 film which STILL WORKED WELL ! Anchor from one of the many Shipwrecks off the Kent Coast with 80mm f2.8 CFE Planar T* @ f4 BROADSTAIRS 10 by Peter Elgar, on Flickr
Storm Approaching over the Deserted Beach -- 180mm f4 CFi Sonnar @ f5.6 BROADSTAIRS 09 by Peter Elgar, on Flickr
The Heavens OPENED ! Luckily I got into a Shelter so Camera was Dry -- 1/30th @ f5.6 with 80mm f2.8 CFE Planar T* BROADSTAIRS 12 by Peter Elgar, on Flickr
Broncolor Hazylight Overhead Two Boxlite 40's camera right and left eight inches. Hasselblad CFV16 Digital Back Black 100mm F3.5 C T* Zeiss Planar with +2 Zeiss Proxar 2 Diopter. EI 50 Broncolor underneath glass, four layers Architects Vellum on table. Image was shot handheld 1/125 F22. Underlighting and Boxlites help a lot with a white clean background shot.
Washi W, emulsion on Japanese watercolor paper. Hasselblad Super Wide, Biogon 38mm f/4.
Shot at ISO 6 in bright sunlight. Transmission scanning of paper negative.
Hampton, Georgia
Back to the 1980's My stand-in "Shirley" gets the high fashion light treatment LOL. Broncolor Olde Ringlight, connected to Opus A2 Pack at 6.5 power, gets me F13.5 with the CFV16 Hasselblad Back at Ei 50. Distinctive ringlight shadows behind, this will be great for me as a frontal "fill" light. 60mm F3.5 C T* Distagon Anniversary 500C/M. Love it.
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