Kat
Well-known
For me, it's the mechanical camera...
Leica Geek said:Which do we really like more the film or the rangefinder. I love the rangefinder, but can't afford an M8 to shoot digital. To tell you the truth there's something that feels really great when shooting film that I don't get when I shoot digital. I don't know what it is.
I think it's the process that makes any medium enjoyable. I paint and I draw, which guess are outdated methods of communicating graphically. Nevertheless, I love it and I can't stop it even if I tried. I kind of feel that way about shooting rangefinders. I think it's the fact that the film camera is mechanical and there are all these moving parts that are calibrated perfectly to capture an image. It's really facinating to me that someone created something so precise and beautiful. I still honestly enjoy shooting my Leica lllf the most. I don't know what it is about that camera, but I always get good stuff from that camera.
What is it for all of you?
Excuse me if I'm rambling.
Leica Geek said:I'm enjoying myself I guess. But I have an addiction...LEICAS!!! I want them all!!!
Gabriel M.A. said:I'll say this: I really can't do anything with a roll of film by itself (unexposed, that is).
I can't do anything with the camera by itself (I'm not a collector).
So it's rangefinder and film. Mystery solved! 😀
jlw said:It's the rangefinder. Not having my vision constrained by a camera lens just works so well for the kinds of things I like to shoot.
I used to say I loved film, I really believed I loved film, I loved the results I got with film (at their best) and even after I started using digital cameras I thought I'd always want to make a place for film.
But after using the R-D 1 for a couple of years I've been forced to admit that I never really cared about film at all. All I care about is the pictures. For a long time film was the only way to get the pictures I wanted, but that's no longer the case.
The chronic sentimentalist in me regrets this a bit. That's partly because of all the time and effort I spent developing expertise in the film medium. And I suspect it's partly because nostalgia allows me to remember the happy moments of pulling wet film off a reel and seeing what looked like it might be a really good picture... while forgetting all the moments of frustration at pullling film off the reel (or prints out of the wash) and seeing that what I had gotten wasn't as good as I had hoped.
But whatever the reason -- and keeping in mind that I still might go out and shoot a roll of film tomorrow if I wanted to -- I've had to come to terms with the fact that I'm no longer committed to film anymore. I guess you could say that film and I are no longer in a serious relationship, we're just good friends.
PS -- Shooting digitally doesn't negate the value of planning and patience. One thing any serious digital photographer learns quickly is that you can't trust what you see on the LCD. It's like a studio photographer's Polaroid -- it provides useful information, but it has to be interpreted in the light of experience. Gratification with a digital image doesn't come until you've executed the necessary post-production steps, generated the final output, and compared it to your intentions or hopes. In that respect, it's no different from the traditional wet process.