tlitody
Well-known
How many times have I heard people saying they can hold a camera steady at 1/8th or even slower shutter speeds. That;s all very well if the subject is static but when photographing people they don't stand dead still. So what in your opinion is a realistic slowest speed for photographing people who might move if only a little?
Roberto V.
Le surrèalisme, c'est moi
I'd say 1/30 or 1/50 depending on how much movement we're talking about.
Phil_F_NM
Camera hacker
It's dependent upon the focal length too.
Phil Forrest
Phil Forrest
40oz
...
What theoretical lens are we using? A rule of thumb is 1/focal length, but that only applies to people actually trying to stand still. If nobody even knows you are taking a picture and motion blur is unacceptable, the faster the better. There is no one speed that will always work - you always need to balance desired depth of field, the ability to stop motion, and the amount of light you have to work with.
Keith
The best camera is one that still works!
Anything below 1/30, unless you're photographing the dead, is movement blur territory.
In terms of camera movement ... provided you can find something to brace yourself against 1/8 will produce amazingly sharp results at times.
In terms of camera movement ... provided you can find something to brace yourself against 1/8 will produce amazingly sharp results at times.
ferider
Veteran
Attached a 1/8th example. Sometimes it works, sometimes it doesn't.
Depending on subject, desired print size and focal length, even 1/125 might be too slow.
Depending on subject, desired print size and focal length, even 1/125 might be too slow.
huntjump
Well-known
roland, do you write down your settings for each shot? I wanted to pull a shot at 1/15 (or 1/8), but i realized i hadnt written down that info for each shots. Used to, been lazy. Just wondering. Thanks!
depending on the lens, i try and not drop below 1/15. I voted 1/30
depending on the lens, i try and not drop below 1/15. I voted 1/30
tlitody
Well-known
It's dependent upon the focal length too.
Phil Forrest
Good point.
tlitody
Well-known
Attached a 1/8th example. Sometimes it works, sometimes it doesn't.
Depending on subject, desired print size and focal length, even 1/125 might be too slow.
I agree but as rule I think anything lower than 1/60 is going to show subject movement quite often. I just wondered what other people find is the slowest practical speed for themselves.
BTMarcais
Well-known
Generally I'll try to stay @ 1/30th or faster, but I find I can usually hit 1/10th if I'm well braced. Oddly enough 1/8th is noticeably more of a problem, so if I know I'm shooting some available darkness shots, I'm more likely to bring out the M3 w/ the old 1 2 5 10 25 etc speed steps on it over the M6.
-Brian
-Brian
ferider
Veteran
roland, do you write down your settings for each shot? I wanted to pull a shot at 1/15 (or 1/8), but i realized i hadnt written down that info for each shots. Used to, been lazy. Just wondering. Thanks!
depending on the lens, i try and not drop below 1/15. I voted 1/30
No, I don't. This one I remember, I had no choice (BW400CN with a 35/2) and was surprised that it was useable.
I often go by "as fast as possible", and bracket when I must.
Richard G
Veteran
Depends. My best was a night club picture of two friends at 1/2 f2 with a 50. My head was anchored to the cushion behind me, he stayed still as instructed, she didn't so well. It was a great shot. I'd never tried 1/2s before. I regularly try 1/4 and think nothing of 1/15. For posed pictures I always think of those shots from the 19th century with long exposures. It actually adds a little something to take it at 1/4s, I don't know why. Perhaps the whole drama of the instruction to keep perfectly still. Bill Pierce mentions the moments when a speaker at the podium will be suddenly still for a moment. I have taken lots of pictures from the front row of my association's annual scientific meeting, including with a 135 at 1/30s and even 1/15, resting on a rail. I've just ordered a monopod for this work. Here is a colleague of mine at 1/4s with the ZM C Sonnar 50. The camera (a hefty M5) rested on the front rail and this was one of 12 that was sharp. I only had 100 ASA film.

Dean's Lecture by Richard GM2, on Flickr
Don't know why that is not in line. BB code 640 width.....?

Dean's Lecture by Richard GM2, on Flickr
Don't know why that is not in line. BB code 640 width.....?
Last edited:
Creagerj
Incidental Artist
Totally depends on how much caffeine I've had.
umcelinho
Marcelo
1/15, considering a 21mm. with a 35mm... 1/30.
I recently picked up a roll where I had taken a shot at 1/15, F2, iso 800 using a 35mm from a rastaman dancing to the reggae he was playing on his bike. his face was just slightly blurred, but enough for me to not consider it a useable shot. I'm pretty sure that 1/30 would have nailed it...
I recently picked up a roll where I had taken a shot at 1/15, F2, iso 800 using a 35mm from a rastaman dancing to the reggae he was playing on his bike. his face was just slightly blurred, but enough for me to not consider it a useable shot. I'm pretty sure that 1/30 would have nailed it...
Last edited:
LeicaFan
Well-known
Like Phil said, it all depends on the focal length. With a 35mm lens, I can go down to 1/15 comfortably if the subject isn't moving.
Tim Gray
Well-known
I have and do shoot at 1/8s and 1/15s with 50mm and 28mm. While I do get pictures and most details survive reasonably well, sharpness and fine detail definitely go out the window at those speeds.
Melvin
Flim Forever!
Ask William Klein
raytoei@gmail.com
Veteran
1/30 is my general rule.
on my m4 with soft release, i could try 1/8 where half will be blur
on my praktica mtl5b, 1/50 is the slowest
interestingly on my medium format rf645, i could get 1/8 shots with both elbows on the table.
on my m4 with soft release, i could try 1/8 where half will be blur
on my praktica mtl5b, 1/50 is the slowest
interestingly on my medium format rf645, i could get 1/8 shots with both elbows on the table.
Share:
-
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.