Hi Amy
I hope you're well, long time no talk.
Personally, I think Leica have been very sensible to stick to the DNG format, and to inflict yet another piece if software on us would have been a real crime.
Hi Jono
🙂
Sorry it took me a while to come back to this thread, but I did want to answer you.
I wasn't necessarily saying they should alter the DNG file itself (or not provide it). It's one thing I love about Leica, their raw files.
However, I do wonder (if only to myself) if there was more opportunity to go further with it. As I mentioned before, in a simllar way to picking your film stock (art-filter JPGs, alternative RAW file, tone curve response adjustments, "film presets" per-se, etc.). A couple of camera companies have done it successfully (in my opinion), such as Fuji and Olympus.
Added to which, you can do quite a lot in camera to effect the contrast/sharpness/saruration of the resulting jpgs. Which, of course, don't suffer the normal indignities of jpg output in that they haven't been mangled by an inefficient in camera demosaicing process. but I'm not sure that this has even been mentioned.
That is good information to know...
However, does it not make the point further about providing some unique in-camera options for output -- ones that relate very much back to B&W film.
I likely wouldn't have even though much about it, except for the fact they are including SEP2 with the camera. Simulating film stocks, grains, contrast curve and all that... it's a very digital way to think. I know when I shoot film, I start by choosing the stock I want for it's particular look. I wouldn't always shoot with the same stock for the same output. I guess I just wonder if there could have been more options to account for that type of thinking... other than by including SEP2.
RAW files with a big dynamic range inevitably look flat out of the camera, but two minutes work in LR can really change that. Silve Efex pro is an added bonus. The cost of developing and testing software specifically for this camera, which would be anything like as capable, would be out of the question.
Within Leica's resources, you may be right. However, I still have to wonder if that means this isn't the ultimate innovation it could have been.
Maybe it is purely the RAW-man's machine, and there's nothing wrong with that I suppose. However, it doesn't jive well in my mind for Leica to want to "get back to it's roots" (as insinuation by some reviewers out there) by making a B&W only camera and then to somehow miss a few things about the film world I'd consider important.
Adobe and Leica have developed a slightly modified DNG standard to accommodate RAW files with no mosaicing, so that the camera can be used with state of the art software. Added to this there is a lot of flexibility with in camera jpg files.
Specifically aimed at B&W; or standard, what-you-see-in-every-camera, JPGS options?
More than this seems like a lot to ask!
Not sure if I agree or not (seriously -- I've had a lot of mixed feelings about the MM -- LOL!)...
And let me say THANKS to you Jono... for testing the camera out and sharing your files with all of us (and putting up with the many opinions about them out there!). Thanks for lending it to SH for a little while too, so he could give his thoughts. It's all very interesting to see the photos and hear what other photographers think about it. It's likely as close as I'll get to one LOL!