John Noble said:OK, here's a new chart with limit lines for common bodies.
LCT said:Indeed it is not normal at all. At f/1.4 your 75 is way out of the accuracy range of the Epson. It is even very difficult to focus on the M8. Also, the .72x M6 has a longer EBL than the R-D1 (w/o magnifier) and the 40/2 should not have any problem with your CL at any aperture IMHO. Did you have the 40/2 cla'd as well?
MikeL said:Ted, are you framing your subjects for the 75mm like you would with the 50mm? (i.e. farther away from your subjects with the 75mm)
ampguy said:Next beer get together, I'll give a master class in "Focusing the 75/1.4 Lux" 😀
Do you refer to the Elmarit 135/2.8? If so the minimum distance is indeed 1.5 meter but i wonder if your table takes its goggles into account on Leica M cameras.ferider said:...Note that the above table does not account for minimum focus. For example, the 135/2.8 focuses down to 1.5m (? out of memory)...
ampguy said:Just curious, what would it take to show you folks that I can focus the 75/1.4 lux on the RD1 at f2 with 99% accuracy, and maybe you will consider gradients instead of making Bessa owners mistakenly think that long lenses wide open are impossible to focus accurately?
ferider said:Guys, the table shows that 75/2 is focusable on RD1 with magnifier, and R3 without. Plus a digital camera always allows you to check if you hit focus. - a huge advantage.
And not everybody focuses the Summilux often at .7m (I do though).
Roland.
ferider said:Guys, the table shows that 75/2 is focusable on RD1 with magnifier, and R3 without. Plus a digital camera always allows you to check if you hit focus. - a huge advantage.
And not everybody focuses the Summilux often at .7m (I do though).
Roland.
ferider said:No free beer for you at our next get together, Ted 😀 I think you should finally get yourself that M8 ....
edhohoho said:But I believe some of us are saying that it is possible to focus the 75 Summilux at f1.4 and f2.0 without a magnifier. Even with a magnifier, it is more than possible to use the 75 Summilux at f1.4 because that's the aperture at which I most often use it. Regardless, I'm happy with my experience with the 75 Summilux and the R-D1 whether you think it's real or just dumb luck.
ampguy said:Ed, is your 75/1.4 lux German or Canadian?
I'm possibly on the verge of exposing a major theory, second only to the Kennedy one...