3 answers
3 answers
	
		
			
				lawnpotter said:
			
		
	
	
		
		
			for your reply. f you dont mind, I have 3 questions for you.Do you think that the gr1 film camera would look too much like my grd2 camera picture wise to justify me buying it? I do like the look of film I think it has a different look than digital. Also, you did the exack oposite of me.  Wont you miss the film look of the Bessa l? I like the Bessa L but I dont think they make them anymore. Oh finally, is the lens on the grd as good as the 25mm Bessa?  Thanks
		
		
	 
It’s a very double edged answer.  On side you would be in a great position to be able to recreate a picture that did not work great in one medium for the other.  You would be able to see what you do not like about digital and then try making adjustments in the camera or in post processing to try to get it closer (if you are interested).
On the other side you have almost the same lens on two almost the same cameras.  I’ve never been one for having that duplicative lenses.  Flashes, bodies, but not that close in lenses.
The other question is will a GR1 give you the control you want/need for your style?  You might look at the GR21 as it has a wider lens and same basic body/configuration.
I’m not selling all my film stuff all.  While I might cut back to a single RF system (I’m very lucky to have a system built around an M4-P and a S3-2000) the lenses I am going to use are all Nikkor Primes that swing either film or digital.  I know there are some things that a D300 will not do for me as well as film will, but for me it’s a trade off.  I look at digital as another emulsion that I have to learn.  So not only do I need to learn how to work with and control the camera.  I need to learn how the senor reacts and how I can tweak it to get the results I want.
I’ve kicked the tires and a lot of different films in a lot of different formats.  I’ve push and pulled Tri-X and Ektachrome, loved Kodachrome and been amazed at some Fuji 1600 color print I’ve used a couple of times.  I love 4x5, the quality even without world class glass is amazing.
Will I miss the film look, not sure.  I miss shooting Kodachrome 200 and 64 all the time, but I’ve lived.  I miss not having my own wet darkroom set up, but I’ve lived.  What I all ready miss is the completeness and speed of control.  Focus, shutter speed, f-Stop are all so easy to do on the L.  Film speed setting is equal, and B&W vs  Color the GR-D wins hands down.  It’s as easy as Large Format film to switch.
I know the L is not made any more, perhaps the answer is a R4A/M.  All Bessa finders are BRIGHT, she’s a bit higher in price than an L, but she is still being made.  The L uses the same shutter as the T, R and I think R2 so there is very little to worry about parts or folks to repair it.  There’s no viewfinder, hot shoe or anything extra.  Just a metter, shutter and a light tight box.  You can get good used ones for about $60 to $75 USD here or on EvilBay.
I have not tested the lens on the GR-D as much I have the CV 25.  This weekend at my son’s Kondike Derby (Boy Scouts in the cold) the high was 3 degrees F, wind chill minus teens all day.  I turned the LCD off and used my metal CV finder, snap mode for focus and spot for metering.  She worked like a champ.  I was worried that the battery was going to give out, but without the LCD everything seemed fine.  The story on the whole GR/R line from Ricoh is that the lenses are world class.  Low distortion, sharp, good color, etc.  Give me 6 months and ask again, I will have put her through her paces.
I do not think a GR-1 is a bad choice.  Bang for the buck you can not top Bessas.  Not a bad one in the bunch.
Hope this helps.
B2 (;->