Like many here, I shot (mostly) Kodak film from my first forays into photography at age 13, in 1961.
Verichrome Pan (120) in the '60s, Plus-X when I moved into 35mm in the early '70s, Panatomic-X in the '80s. By the mid-'80s also Tri-X, I was a late comer to this truly unique film - the only one of all my original Kodak films still available today, at a ridiculous price, A$250+ for 100-foot rolls in Australia.
Time passes, all things change. I still haven't quite forgiven Kodak for discontinuing Panatomic-X and Plus-X, but I now use three excellent Ilford films that now do it all for me, XP2, HP5+ and FP4+. Kodak only for what little color negative I shoot these days - I gave up slide films in 2006 when digital proved it did it better.
I was astounded to read in this thread (#36) that Plus-X is still being sold by at least one supplier. I won't be buying any as both me and my Kodak days are now (almost) past history.
Like many, I still have some expired Kodak films in my freezer - happily, I bought a big lot of Panatomic-X in 2020 when I lucked into a sale of 35mm and 120 rolls at almost giveaway prices from a friend, so I have enough to see me out, if I use it carefully.
For my images, no other film comes close to the mid-tones of Panatomic-X. Others I know say this about Plus-X, and we know Tri-X is the stuff of true photo legends. Henri Cartier-Bresson used it exclusively.
So life with my film cameras and Kodak B&W still on and will do so for a while yet.
PS Note to J. Scooter - I am SO envious of the beautiful mid-tones you seemingly so easily produce with film.