Lilserenity
Well-known
Hiya,
More problems, first with 35mm that turned out to be the camera, and now with my Epson 4870 which I use for 120. I'm close to scooping all the scanners up and throwing them in the bin (since my LS2000 is also very tempremental....) and wincing as I use the credit card to buy a Nikon Coolscan 8000 or 9000....and I do ask myself if I'm spending this much, why not buy a digital camera (serious question that...sadly... anyway)
I seem to be having a hard time scanning 120 Portra 160, the roll of 400 seems fine, it was shot on my Minolta Autocord and that is fine as I have scans made from that before I went away and after I went away that are just fine. This is the problem:
Crop from the sky, as this always shows the problem at its worst
Now the problem:
I have introduced a couple of variables here which may be the cause:
1. I used a firm I've never used before for processing but one that had a good reputation locally, some of the slides I had mounted and got back were badly mounted but that's an aside (but one I'll take up if...) -- however could something like this be down to the processing? It seems unlikely to me.
2. Which leaves the scanner. I use the betterscanning insert from Doug Fisher, I have cleaned and cleaned the glass, I have tried the film both ways up, I have tried taping the film to keep it dead flat, I have checked the pulley inside the lid to make sure it wasn't visibly slipping.
I am at a loss, this seems to be happening to I'd say pretty much all the frames of Portra 160 I have tried so far.
I'm utterly stumped. It would help if I had another scanner to prove this with but I don't 🙁
Has anybody seen these kind of artefacts, any ideas/tips on what I could do? (Apart from close my eyes and stump up for a Coolscan?)
Thanks,
Vicky
More problems, first with 35mm that turned out to be the camera, and now with my Epson 4870 which I use for 120. I'm close to scooping all the scanners up and throwing them in the bin (since my LS2000 is also very tempremental....) and wincing as I use the credit card to buy a Nikon Coolscan 8000 or 9000....and I do ask myself if I'm spending this much, why not buy a digital camera (serious question that...sadly... anyway)
I seem to be having a hard time scanning 120 Portra 160, the roll of 400 seems fine, it was shot on my Minolta Autocord and that is fine as I have scans made from that before I went away and after I went away that are just fine. This is the problem:
Crop from the sky, as this always shows the problem at its worst
Now the problem:
I have introduced a couple of variables here which may be the cause:
1. I used a firm I've never used before for processing but one that had a good reputation locally, some of the slides I had mounted and got back were badly mounted but that's an aside (but one I'll take up if...) -- however could something like this be down to the processing? It seems unlikely to me.
2. Which leaves the scanner. I use the betterscanning insert from Doug Fisher, I have cleaned and cleaned the glass, I have tried the film both ways up, I have tried taping the film to keep it dead flat, I have checked the pulley inside the lid to make sure it wasn't visibly slipping.
I am at a loss, this seems to be happening to I'd say pretty much all the frames of Portra 160 I have tried so far.
I'm utterly stumped. It would help if I had another scanner to prove this with but I don't 🙁
Has anybody seen these kind of artefacts, any ideas/tips on what I could do? (Apart from close my eyes and stump up for a Coolscan?)
Thanks,
Vicky